Centre for the Study of Music, Gender and Identity (MuGI)
Facing the Music of Medieval England
21-22 March 2015, University of Huddersfield
Call for papers
Recent work on medieval England and its music has focused on a wide range of issues, from editing fragmentary sources, to the consideration of historiographical questions. The publication of facsimiles and editions of medieval English music has made this repertoire significantly more readily available than a decade ago, yet discussions of the music of the period (its language, form, genres, style, textuo-musical relationships, and broader questions of meaning) remain underexplored.
Facing the Music of Medieval England invites participants to engage with the musical repertoire as composed, cultivated and disseminated in England before c.1500. A keynote lecture, by Dr Margaret Bent, will be complemented by paper sessions that focus on thirteenth-, fourteenth- and fifteenth-century music from a variety of analytical standpoints. A session focused on reconstructing medieval English music will also allow discussion of the notion of musical text, notations, source transmission and style.
The close focus on musical texts, editions, and issues such as reconstruction will benefit from the provision of interactive materials available to participants on iPads, to be provided to participants for use in sessions, fully networked and pre-loaded with relevant musical software, web resources and conference materials.
A publication opportunity is available for selected contributions, which will form a special issue of the journal Early Music, subject to the standard peer review process.
The organisers wish to extend a particular invitation to current research students, early career scholars, and independent scholars. The registration fee will be kept to a minimum to encourage wide participation from all sectors of the scholarly community, and is expected to be no more than £15.
Please send titles and abstracts for 20-minute papers to firstname.lastname@example.org by 10 January 2015.
Conference organisers: Dr Lisa Colton and Dr James Cook. The symposium is generously supported by the Plainsong and Medieval Music Society, Early English Church Music, and the Royal Musical Association.
Sources of Identity: Makers, Owners and Users of Music Sources Before 1600
4-6 October 2013, University of Sheffield
Generously supported by the Royal Musical Association, Music and Letters Trust, and the Plainsong and Medieval Music Society, MuGI's second international conference explored the role of manuscript and print sources in creating and communicating aspects of identity for their creators, owners, and users. The conference turned the spotlight onto the people involved in music manuscripts and prints, asking what the sources with which they are connected can tell us about the various motives lying behind their investment in music. Invited speakers included Jane Alden (Wesleyan), Julie Cumming (McGill), Honey Meconi (Rochester), and Marica Tacconi (Penn State).
An anthology of essays deriving from the conference will be published in the Brepols series 'Epitome musical'. Click below to view the conference schedule.
Gender, Musical Creativity and Age
6-7 October 2012, University of Huddersfield
This interdisciplinary conference took a broad approach to matters of representation and identity, examining the intersection of age and gender in relation to musical creativity across a wide range of historical periods and genres. Dr Sophie Fuller (Trinity Laban Conservatoire of Music and Dance; MuGI Visiting Research Fellow) gave the keynote paper, '"Something Revolting": Women, creativity and music after 50', which explored narratives of ageing and female creativity in the work of composers including Grace Williams, Elizabeth Maconchy, Joni Mitchell, and Patti Smith.
Click below to view the abstracts for all the papers presented at the conference. You can also view a Storify of tweets related to #MuGI2012 here. Thanks to Lauren Redhead for archiving these.