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Portrait of Dr  Michael Fleming (Senior Research Fellow) Dr Michael Fleming (Senior Research Fellow)

m.fleming@hud.ac.uk | 01484 47n/a



Biography

After graduating in PPP (Philosophy and Psychology) from the Queen’s College, Oxford (1974) Michael Fleming worked for Robert Goble & Son for five years, making early keyboard instruments. Since 1982 he has worked as an independent musical instrument maker, specialising in viols, pre-classical violins and bows. In 1986 he was joint recipient of the Best Maker prize at the Crafts Council Open Exhibition, London. He found that original research was necessary in order to develop his craft. Research became his main passion and in 2001 he was awarded a PhD by the Open University for his thesis “Viol-Making in England c1580-1660”.

As a performer on the viol, his first instruction was by Elizabeth Goble and Richard Nicholson in the mid-1970s; he is now a competent and enthusiastic treble, tenor and bass violist. However, as was normal in the early days of the instrument, this activity is principally for the entertainment of himself and his friends, rather than for a non-playing audience. His particular interests in music for performing resemble his organological and instrument-making interests; they reflect his curiosity about, and respect for, the original producers and users of that music. His greatest love is English music, and performing from facsimilies or at least original notation is preferred, as he finds this to be a major aid to understanding, realising and enjoying the music.

He was a member of an Expert Group drafting the Museums and Galleries Commission guidance: Standards in the Museum Care of Musical Instruments, (published 1995). He is an active member of the Viola da Gamba Society and has been its chairman since 1997. In 2004 he was appointed the editor of the Galpin Society Journal (international journal of organological research).

Research & Scholarship

  • Viols as material and cultural objects in early modern England.
  • Early modern organology and iconography.

The viol in early modern England continues to be his core interest, but broader organological issues are investigated, with particular focuses on the use of images to increase knowledge and understanding of instruments, the investigation of archival sources for what they can reveal about the social context of instrument-making and use, and biographical investigations of early modern instrument makers and users, in all of which areas he has published articles and spoken at conferences.

He is supervising doctoral research about the cello in England 1700-1850. Other significant projects in which he is currently involved include writing a new catalogue of the musical instruments in the Ashmolean Museum, Oxford, and the Jaye Project, which addresses the work of the outstanding early seventeenth-century English instrument-maker, Henry Jaye.

Currently Michael's principal research activity is the Making the Tudor Viol project.

Publications and Other Research Outputs

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Although it is likely that such a range would be similar to what was available at other times and in other countries, this should not be assumed, evidence is required. 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'source' => undef, 'lastmod_hour' => '8', 'number' => undef, 'rev_number' => '8', 'edit_lock_user' => '3483', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'D1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '44', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'workshop', 'importid' => undef, 'status_changed_day' => '9', 'datestamp_day' => '9', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '44', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2010', 'status_changed_hour' => '15', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5256' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '5256', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '50', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The violin explained. Components, mechanism, and sound', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/52/56', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '20', 'refereed' => 'TRUE', 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.music.ed.ac.uk/euchmi/galpin/gwtr.html#LII', 'succeeds' => undef, 'datestamp_month' => '7', 'commentary' => undef, 'lastmod_day' => '23', 'publisher' => 'The Galpin Society', 'pagerange' => '325-327', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'article', 'publication' => 'The Galpin Society Journal', 'lastmod_second' => '50', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => '0072-0127', 'datestamp_hour' => '14', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '50', 'note' => 'Book review of 'James Beament: The Violin Explained. Components, Mechanism, and Sound Oxford, 1997'', 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 1, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '5256', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2009', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => undef, 'fulltimestamp' => '19990100', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '14', 'number' => undef, 'rev_number' => '6', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '20', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '23', 'datestamp_day' => '23', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '20', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '52', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '1999', 'status_changed_hour' => '14', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '8565' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1284550512', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '8565', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '9', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => ' The British Society for the History of Mathematics Research in Progress Day', 'date_type' => undef, 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2010', 'fileinfo' => '', 'status_changed_second' => '15', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Viol design = painting by numbers?', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/85/65', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'unpub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '39', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.dcs.warwick.ac.uk/bshm/archive/meetings.html', 'succeeds' => undef, 'datestamp_month' => '9', 'commentary' => undef, 'lastmod_day' => '15', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2010', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Wolfson College, Oxford, UK', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '15', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '11', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '15', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 2, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '8565', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => '27th February 1999', 'fulltimestamp' => '19990200', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '11', 'number' => undef, 'rev_number' => '6', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '39', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '15', 'datestamp_day' => '15', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '39', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '1999', 'status_changed_hour' => '11', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5263' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '5263', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'The American Musical Instrument Society Conference on Musical Instruments', 'date_type' => undef, 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '42', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Another juggler: instruments and instrumentalists in early modern Oxford ', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/52/63', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '22', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '7', 'commentary' => undef, 'lastmod_day' => '23', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Oxford - London - Edinburgh', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '42', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '15', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '42', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 8, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '5263', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2009', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '3 - 9 August 2003', 'fulltimestamp' => '20030800', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '15', 'number' => undef, 'rev_number' => '7', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '22', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '23', 'datestamp_day' => '23', 'abstract' => '"There is another Iugler, that beeing well skild in the Iewes Trumpe, takes vpon him to bee a dealer in Musicke: especiall good at mending Instruments: he iugled away more instrumentes of late, than his bodie (being taken) will euer be able to make good." - Henry Chettle, Kind-Hartes Dreame, (1592). Over the last few years, documentary evidence from the sixteenth and seventeenth centuries has provided increasing amounts of information about instrument-making in English cities other than London and has assisted those who seek a more accurate understanding of provincial music. Building on previous work about inhabitants of Oxford and York, new research into the people involved in musical activities in Oxford will now be presented and discussed. This will focus on people who made musical instruments, but will also include information about professional and amateur instrumentalists, and about some of the relationships between all these and other musicians and woodworkers. Some common sources of confusion in research about instrument-makers will be described and exemplified. The information to be presented will support earlier findings about the nature of instrument-makers, particularly that for many, instrument making was only part of their work, so instruments were often made not by specialist instrument-makers but by people who may be better known for other activities. This raises important questions, such as how did English instruments attain their high international reputation ? The work also casts new light on some important names in the string instrument making world. There are indications that relatively obscure Oxford instrument-makers are connected with some better-known makers in London. It is possible that far from being backward, derivative or even parasitic in relation to London, centres such as Oxford provided not only the manpower but possibly also the foundation or driving force for significant developments in other parts of the country, including the capital ', 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '22', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2003', 'status_changed_hour' => '15', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5260' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1351857239', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '5260', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '56', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Book review: François-Xavier Tourte, Bow Maker, Stewart Pollens and Henryk Kaston, with M.E.D Laing, New York et al, 2001', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/52/60', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '55', 'refereed' => 'TRUE', 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.music.ed.ac.uk/euchmi/galpin/gwtr.html#LVI', 'succeeds' => undef, 'datestamp_month' => '7', 'commentary' => undef, 'lastmod_day' => '2', 'publisher' => 'The Galpin Society', 'pagerange' => '271', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' 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'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '19', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '9', 'datestamp_day' => '9', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '19', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '60', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2007', 'status_changed_hour' => '11', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5261' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '5261', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Symposium on Bowed String Musical Instruments', 'date_type' => undef, 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '5', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Who made the viols `by’ Henry Jaye ? ', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/52/61', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '10', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '7', 'commentary' => undef, 'lastmod_day' => '23', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Faculty of Music, University of Edinburgh', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '5', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '15', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '5', 'note' => 'Meeting organised by the Edinburgh University Collection of Historic Musical Instruments with the Early Music Forum of Scotland and the Viola da Gamba Society of Great Britain ', 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 6, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '5261', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2009', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '2-3 June 2000', 'fulltimestamp' => '20000600', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '15', 'number' => undef, 'rev_number' => '7', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '10', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '23', 'datestamp_day' => '23', 'abstract' => 'We interrogate antique viols to discover what they can tell us of original musical practices. However, they are not always what they seem, because the instruments we see today embody centuries of changing attitudes both to the repertory and to instruments. Published information about viols is particularly hazardous, so a detailed understanding of the nature of old instruments and the way that they have been documented is required to interpret it. This paper will describe the usual ways in which viols depart from their original state, and introduce a protocol I have developed for gathering data. The techniques will be exemplified by application to the work of Henry Jaye, who seems to be represented by more surviving instruments than any other English viol maker from this period. All the currently available information about Jaye will be presented and an approach to understanding the work of other makers will be explained', 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '10', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2000', 'status_changed_hour' => '15', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '15863' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1355910348', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '15863', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '11', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/15863/1/Fleming_tools.pdf', 'status_changed_second' => '0', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Woodwork Tools in Early Modern Oxford', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/58/63', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '46', 'refereed' => 'TRUE', 'contact_email' => 'm.fleming@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://oxoniensia.org/index.php', 'succeeds' => undef, 'datestamp_month' => '11', 'commentary' => undef, 'lastmod_day' => '19', 'publisher' => 'Oxfordshire Architectural and Historical Society', 'pagerange' => '107-116', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'article', 'publication' => 'Oxoniensia', 'lastmod_second' => '20', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => '0308–5562', 'datestamp_hour' => '12', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '0', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 12, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '15863', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '12', 'event_dates' => undef, 'fulltimestamp' => '20121200', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '9', 'number' => undef, 'rev_number' => '10', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'DA', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '31', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '2', 'datestamp_day' => '2', 'abstract' => 'Oxford apprentices were routinely promised clothes, money or other items on the completion of their apprenticeships. This article focuses on the tools promised to woodworkers in the sixteenth and seventeenth centuries, which shed light on working practices. The trades represented included those of carpenter, joiner and cooper, though the range of activities was wider than these terms suggest and even included musical instrument making, an activity which is usually thought of as a specialism. The evidence comes chiefly from apprenticeship enrolment books and is supplemented by wills and inventories.', 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '31', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '77', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2012', 'status_changed_hour' => '12', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5242' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '5242', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '59', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Unpacking the 'Chest of Viols'', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/52/42', 'overlay_journal_id' => undef, 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'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '59', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 1, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '5242', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2009', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => undef, 'fulltimestamp' => '20000100', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '14', 'number' => undef, 'rev_number' => '6', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '3', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '22', 'datestamp_day' => '22', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '3', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '28', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2000', 'status_changed_hour' => '14', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '8459' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1283850762', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '8459', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '9', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => 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=> undef, 'lyricists_id' => undef, 'edit_lock_since' => '1382517430', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '15862', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '11', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '41', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'John Evelyn on Musical Instrument Wood', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 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undef, 'rev_number' => '6', 'edit_lock_user' => '3483', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '6', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '2', 'datestamp_day' => '2', 'abstract' => 'Prominent among the life-long interests of the polymath diarist John Evelyn (1620–1706) were natural history and gardening. His book about trees and wood titled Sylva was first published in 1664 then expanded for subsequent editions. He made a point of identifying the uses that many of the trees served, including how their woods were used. His comments include noting that various woods had particular uses for musical instruments. This article traces and compares musical references in the four editions of Sylva published during Evelyn’s lifetime, noting also his information about woods that are now used for instruments, although he did not identify such a use for them, and some other common woods. His comment that the wood of euonymus europea was used for viol bows is unprecedented in the English literature.', 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '6', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '66', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2013', 'status_changed_hour' => '12', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5089' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '5089', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '56', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Some points arising from a survey of wills and inventories ', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/50/89', 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'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '38', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '10', 'datestamp_day' => '10', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '38', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '53', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2000', 'status_changed_hour' 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'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '42', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 12, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '7054', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => undef, 'fulltimestamp' => '20091200', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '18', 'number' => '2', 'rev_number' => '14', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '14', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '25', 'datestamp_day' => '25', 'abstract' => 'The Ashmolean Museum, which is part of the University of Oxford, houses a small but world-class collection of musical instruments. This is generally known as the ‘Hill Collection’ because it predominantly comprises a gift made by the firm of W.E. Hill & Sons shortly before the Second World War. The Hills were among the top specialist violin dealers, and of world-leading renown for their expertise. As part of a major refurbishment of the museum in 2009, the musical instruments have been moved, and their display reorganised. Boyden’s catalogue1 of the Hill Collection is long out of print, antiquated in many respects, and does not include the later accessions. Consequently a new catalogue is being prepared, research for which has generated this article.2 A table of concordances between Boyden’s numbers and the new catalogue numbers is given at the end of this article, followed by illustrations of the viols.', 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '6', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '14', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '3', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '9', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '8442' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 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'id_number' => undef, 'volume' => '21', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '1992', 'status_changed_hour' => '13', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '15866' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1351870608', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '15866', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '11', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'The American Musical Instrument Society Conference on Musical Instruments ', 'date_type' => undef, 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '34', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Obfuscation or illumination: what ‘early English viols’ tell us about early English viols', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/58/66', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'unpub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '57', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.amis.org/meetings/2011/', 'succeeds' => undef, 'datestamp_month' => '11', 'commentary' => undef, 'lastmod_day' => '2', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Phoenix, AZ, USA', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '34', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '15', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '34', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 5, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '15866', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '11', 'event_dates' => '18th - 21st May 2011', 'fulltimestamp' => '20110500', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '15', 'number' => undef, 'rev_number' => '7', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '57', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '2', 'datestamp_day' => '2', 'abstract' => '‘Early English viols’ were the most renowned and desired throughout late seventeenthand early eighteenth-century Europe and became favored for repertoire beyond the imagination of their makers. Despite their importance in the history of the viol, only about 6% of extant antique viols were made in England before the Civil War, and only a handful survive from the sixteenth century. The rarity and compromised state of extant examples makes it is difficult to describe exactly what these viols were like, or to delineate the reason for their reputation. The paucity of physical data encourages researchers to treat the more copious material from later periods and other countries as evidence when discussing these celebrated instruments. Consequently, our understanding of early English viols tends to rely on data and concepts that are alien to that culture, and which may therefore obscure the particular characteristics of these viols. Furthermore, some attempts to understand and perform early English viol music are informed more by current performance fashions than by factors that influenced the composers and players of the time, prominent among which were the particular capabilities and limitations of the instruments themselves. The Making the Tudor Viol project addresses these problems by synthesizing evidence from a variety of sources including documents, images, instruments, and music. Considered together, they will enable the creation of a more realistic view of early English viol-makers’ work and its context, and lead to a fuller understanding of these important instruments. This is essential for scholars, performers and instrument-makers who all have an interest in knowing as precisely as possible what these viols were like; it will also improve our understanding of their influence on later viols and their music. This paper explains the Making the Tudor Viol approach using illustrations drawn from its early findings. The early indications are that the nature and practices of early English viol-makers were more distinct from say, sixteenth-century Italian lute makers, or later English viol makers, than is generally assumed. Findings about makers’ physical and intellectual resources will be reported, and the implications for our understanding of early English viols will be discussed.', 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '57', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2011', 'status_changed_hour' => '15', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '8552' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1284539027', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Fleming', 'eprintid' => '8552', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Michael', 'creators_id' => 'm.fleming@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '9', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2010', 'fileinfo' => '', 'status_changed_second' => '38', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Book review: Règles pour la construction des Violons Altis, Violoncelles et Basses de Viol, Antonio Bagatella. Turris, Cremona, 1995', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/85/52', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '27', 'refereed' => 'TRUE', 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.music.ed.ac.uk/euchmi/galpin/gwtj.html#L', 'succeeds' => undef, 'datestamp_month' => '9', 'commentary' => undef, 'lastmod_day' => '15', 'publisher' => 'The Galpin Society', 'pagerange' => '259-260', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2010', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'article', 'publication' => 'The Galpin Society Journal', 'lastmod_second' => '38', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => '0072-0127', 'datestamp_hour' => '8', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Fleming', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '38', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 6, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '8552', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => undef, 'fulltimestamp' => '19970600', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '8', 'number' => undef, 'rev_number' => '4', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Michael', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'M1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '27', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '15', 'datestamp_day' => '15', 'abstract' => undef, 'creators_id' => 'm.fleming@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '27', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '50', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '1997', 'status_changed_hour' => '8', 'gscholar_cluster' => undef, 'producers_name_family' => undef } };

2013

Fleming, M (2013) ‘John Evelyn on Musical Instrument WoodThe Galpin Society Journal , 66. ISSN 0072-0127

2012

Fleming, M (2012) ‘Woodwork Tools in Early Modern OxfordOxoniensia , 77, pp. 107-116. ISSN 0308–5562

Fleming, M (2012) ‘Robert Dow's viols: a lamentable lacuna’. In: Medieval and Renaissance Music seminar series , 8th November 2012, All Souls College, Oxford

Fleming, M (2012) ‘Early English viol makers' tools and resources ’. In: CordeFactum Festival 2012, 18th - 20th May 2012, Hingene, Belgium

2011

Fleming, M (2011) ‘Viols’. In: Musical Instruments in the Ashmolean Museum: The Complete Collection . Berkhamsted: Oxford Musical Instrument Publishing LLP. . ISBN 9780956767905

Fleming, M (2011) ‘Obfuscation or illumination: what ‘early English viols’ tell us about early English viols’. In: The American Musical Instrument Society Conference on Musical Instruments , 18th - 21st May 2011, Phoenix, AZ, USA

2010

Fleming, M (2010) ‘Woodworking Tools in Sixteenth-Century Oxford’. In: Technology and craft of early stringed instruments, c. 500-1550, 6th November 2010, University of London

2009

Fleming, M (2009) ‘The Identities of the Viols in the Ashmolean MuseumThe Viola da Gamba Society Journal , 3 (2), pp. 117-130. ISSN 0507-0252

Fleming, M (2009) ‘The viol displayed, the iconographer dismayed ’. In: Making the British Sound, Conference, 6 - 11 July 2009, London - Edinburgh

2008

Fleming, M (2008) ‘Phillippe Golledge: another Oxford musical instrument dealer?The Galpin Society Journal , 61, pp. 332-335. ISSN 0072-0127

2007

Fleming, M (2007) ‘Book review: Un corpo alla ricerca dell'anima...Andrea Amati e la nascita del violino/ Andrea Amati and the birth of the violin, Renato Meucci (ed.)The Galpin Society Journal , 60. ISSN 0072-0127

2006

Fleming, M (2006) ‘What we can and cannot learn from English images of viols’. In: CordeFactum 2006, June 2006, Belgium

Fleming, M (2006) ‘Book review: The Baroque cello revival: an oral history,Paul Laird, Lantham: Scarecrow Press, 2004The Galpin Society Journal , 59, pp. 276-277. ISSN 0072-0127

Fleming, M (2006) ‘Book review: A Viola da Gamba Miscellanea. Articles from and inspired by viol symposiums organized by the Ensemble Baroque de Limoges, France, Susan Orlando (ed.)The Galpin Society Journal , 59, pp. 279-280. ISSN 0072-0127

2005

Fleming, M (2005) ‘An 'old old viol' and 'other lumber': musical remains in Provincial, non-noble England c.1580-1660The Galpin Society Journal , 58, pp. 89-99. ISSN 0072-0127

Fleming, M (2005) ‘Book review: Diego Ortiz: Trattado de Glosas, (Rome 1553), Annette Otterstedt, Kassel: Bärenreiter, 2003 The Galpin Society Journal , 58, pp. 269-270. ISSN 0072-0127

2004

Fleming, M (2004) ‘Instrument-making in Oxford The Galpin Society Journal , 57, pp. 246-251. ISSN 0072-0127

Fleming, M (2004) ‘Henry Jaye Oxford Dictionary of National Biography .

2003

Fleming, M (2003) ‘Another juggler: instruments and instrumentalists in early modern Oxford ’. In: The American Musical Instrument Society Conference on Musical Instruments, 3 - 9 August 2003, Oxford - London - Edinburgh

Fleming, M (2003) ‘Book review: The Italian viola da gamba: Proceedings of the International Symposium on the Italian Viola da Gamba, Magnano, Italy, 29 April - 1 May 2000, ed. Susan Orlando (Solignac/Turin: Edition Ensemble Baroque de Iimoges/Edizioni Angolo Manzoni, 2002)Early Music , 31 (2), pp. 283-284. ISSN 0306-1078

Fleming, M (2003) ‘How long is a piece of string? Understanding seventeenth-century descriptions of violsChelys , 31, pp. 18-35. ISSN 0952-8407

Fleming, M (2003) ‘Book review: François-Xavier Tourte, Bow Maker, Stewart Pollens and Henryk Kaston, with M.E.D Laing, New York et al, 2001The Galpin Society Journal , 56, p. 271. ISSN 0072-0127

Fleming, M (2003) ‘Book review: The Viol: History of an Instrument, Annette Otterstedt, Kassel, 2002The Galpin Society Journal , 56, pp. 269-271. ISSN 0072-0127

2002

Fleming, M (2002) ‘Book review: Masterpieces of Italian Violin Making (1620-1850). Important stringed instruments from the collection at the Royal Academy of Music, 2nd edition, David Rattray, London, 2000The Galpin Society Journal , 55, pp. 353-354. ISSN 0072-0127

Fleming, M (2002) ‘Instrument-makers named Hill and Hunt in Pepys's London The Galpin Society Journal , 55, pp. 382-385. ISSN 0072-0127

2001

Fleming, M (2001) Viol-making in England c1580-1660 Doctoral thesis, Open University.

2000

Fleming, M (2000) ‘Who made the viols `by’ Henry Jaye ? ’. In: Symposium on Bowed String Musical Instruments, 2-3 June 2000, Faculty of Music, University of Edinburgh

Fleming, M (2000) ‘Unpacking the 'Chest of Viols'Chelys , 28, pp. 3-19. ISSN 0952-8407

Fleming, M (2000) ‘Some points arising from a survey of wills and inventories The Galpin Society Journal , 53, pp. 301-311. ISSN 0072-0127

1999

Fleming, M (1999) ‘Viols and other lumber ’. In: The Galpin Society Conference on Musical Instruments, 9-11 July 1999, University of Edinburgh

Fleming, M (1999) ‘A bridge to the past: Investigating an old viol bridge at Haddon Hall Early Music , XXVII (2), pp. 235-248. ISSN 0306-1078

Fleming, M (1999) ‘Viol design = painting by numbers?’. In: The British Society for the History of Mathematics Research in Progress Day, 27th February 1999, Wolfson College, Oxford, UK

Fleming, M (1999) ‘The violin explained. Components, mechanism, and soundThe Galpin Society Journal , 52, pp. 325-327. ISSN 0072-0127

1998

Fleming, M (1998) ‘Are English string instruments all they are not cracked up to be?’. In: 32nd RMA Research Students Conference, 14th December 1998, University of York, UK

Fleming, M (1998) ‘Book review: Edward Withers Ltd. 230 years of Violin Craft in Soho, Adam Whone. Mill Hill publications, 1996The Galpin Society Journal , 51, pp. 225-226. ISSN 0072-0127

Fleming, M (1998) ‘Book review: Research Papers in Violin Acoustics 1975-1993, Carleen Maley Hutchins. Woodbury, 1997The Galpin Society Journal , 51, pp. 221-223. ISSN 0072-0127

1997

Fleming, M (1997) ‘Book review: Arte Liutaria, Analysis of Antique Instruments and Restoration Techniques, Carlo Vettori. Florence: Arte Liutaria, 1996The Galpin Society Journal , 50, pp. 267-269. ISSN 0072-0127

Fleming, M (1997) ‘Book review: Un secolo di liuteria Italiana 1860-1960. Vol.1. Emilia Romagna, Eric Blot. Cremona, 1994The Galpin Society Journal , 50, pp. 269-270. ISSN 0072-0127

Fleming, M (1997) ‘Book review: Liuteria Musica e Cultura, 1996, Essays dedicated to John Henry van der Meer, Renato Meucci (ed.). Cremona, 1996The Galpin Society Journal , 50, pp. 276-277. ISSN 0072-0127

Fleming, M (1997) ‘Book review: Règles pour la construction des Violons Altis, Violoncelles et Basses de Viol, Antonio Bagatella. Turris, Cremona, 1995The Galpin Society Journal , 50, pp. 259-260. ISSN 0072-0127

Fleming, M (1997) ‘Book review: Antonio Stradivari: The Cremona Exhibition of 1987, Charles Beare. J.& A.Beare Ltd, 1994 The Galpin Society Journal , 50, pp. 259-260. ISSN 0072-0127

1996

Fleming, M (1996) ‘Book review: Violin Making Step by Step, Henry A. Strobel. Aumsville: Henry A. Strobel, 1994The Galpin Society Journal , 49, p. 244. ISSN 0072-0127

Fleming, M (1996) ‘Book review: Violin Family and its Makers in the British Isles: an Illustrated History and Directory, Brian W Harvey. Oxford: OUP, 1995 The Galpin Society Journal , 49, pp. 240-244. ISSN 0072-0127

Fleming, M (1996) ‘Paintings of viols in England c.1580-1660Chelys , 25, pp. 3-21. ISSN 0952-8407

1995

Fleming, M (1995) ‘The fantasy viol’. In: The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell, 7th - 9th July 1995, University of York, UK

Fleming, M (1995) ‘Book review: The Health of the Violin and the Viola and Cello: Practical Advice on the Acquisition, Maintenance, Adjustment and Conservation of Bowed Instruments, Lucien Greilsamer. Translated from the original French by Henry A. Strobel Aumsville, Oregon: H.A. Strobel, 1991The Galpin Society Journal , 48, p. 233. ISSN 0072-0127

Fleming, M (1995) ‘Book review: The Complete Luthier's Library [Bibliography], Roberto Ragazzi. Bologna: Florenus Edizioni, 1990The Galpin Society Journal , 48, pp. 214-215. ISSN 0072-0127

Fleming, M (1995) ‘Book review: Violin Maker's Notebook: a Companion Volume to Useful Measurements for Violin Makers, a Reference for Shop Use, 2nd edition, Henry A. Strobel. Aumsville, Oregon: H.A. Strobel, 1991The Galpin Society Journal , 48, p. 232. ISSN 0072-0127

Fleming, M (1995) ‘Book review: Useful Measurements for Violin Makers, a Reference for Shop Use, 4th edition, Henry A Strobel. Aumsville, Oregon: H.A. Strobel, 1991The Galpin Society Journal , 48, p. 231. ISSN 0072-0127

Fleming, M (1995) ‘Book review: The History of the Viola, Maurice W. Riley. Ann Arbor: the author, 1993, 1991The Galpin Society Journal , 48, pp. 228-231. ISSN 0072-0127

Fleming, M (1995) ‘Book review: The Bassanos: Venetian Musicians and Instrument Makers in England, 1531-1665, David Lasocki with Roger Prior, (Aldershot, Scolar Press, 1995)Chelys , 24, pp. 62-64. ISSN 0952-8407

Fleming, M (1995) ‘Book review: Art and Method of the Violin Maker: Principles and Practice, 2nd edition, Henry A. Strobel. Aumsville: Henry A. Strobel, 1993The Galpin Society Journal , 48, p. 234. ISSN 0072-0127

1994

Fleming, M (1994) ‘Book review: La Lutherie Lorraine et Française depuis ses Origines jusqu'à nos Jours, Albert Jacquot, Paris: Fischbacher, 1912. Facsimile edition. Geneva: Minkoff, 1985The Galpin Society Journal: for the study of musical instruments , 47. ISSN 0072-0127

Fleming, M (1994) ‘Book review: The Shape of Stradivari Forms and Violins, David Woodrow, Taynton: Taynton Press, 1991The Galpin Society Journal: for the study of musical instruments , 47. ISSN 0072-0127

Fleming, M (1994) ‘Book review: La Chélonomie, ou le parfait luthier..., Paris, 1812, Abbé SÉBASTIEN-ANDRÉ SIBIRE, Reimpression de l'edition de Bruxelles, 1823. Facsimile edition. Geneva: Minkoff, 1984The Galpin Society Journal: for the study of musical instruments , 47. ISSN 0072-0127

Fleming, M (1994) ‘Book review: The Violin Forms of Antonio Stradivari, Stewart Pollens, London: Peter Biddulph, 1992The Galpin Society Journal: for the study of musical instruments , 47. ISSN 0072-0127

Fleming, M (1994) ‘Book review: Observations on the construction of stringed instruments and their adjustment, 1804, 1805, 1809, 1810, 1816, Count Ignazio Cozio di Salabue, translated from the original Italian by Andrew Dipper and David Woodrow Taynton, 1987The Galpin Society Journal: for the study of musical instruments , 47. ISSN 0072-0127

1992

Fleming, M (1992) ‘Book review: Violin Fraud, Brian W. Harvey, (Oxford, 1992)Chelys , 22, pp. 51-52. ISSN 0952-8407

Fleming, M (1992) ‘Book review: Geometry, Proportion and the Art of Lutherie, Kevn Coates, (Clarendon Press, Oxford, 1991)Chelys , 21, pp. 90-91. ISSN 0952-8407

1989

Fleming, M (1989) ‘Viol drawingsChelys , 18, pp. 30-40. ISSN 0952-8407

Research Degree Supervision

He is supervising doctoral research about the cello in England 1700-1850.

Other areas for Postgraduate supervision are:

  • Musical instrument making, both as a craft and historical/social/cultural aspects.
  • The viol, particularly in England.
  • Organology, particularly bowed instruments.
  • Organological iconography.
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