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Portrait of Dr Lisa Stansbie Dr Lisa Stansbie

l.stansbie@hud.ac.uk | 01484 472940



Biography

Dr. Lisa Stansbie is Head of the Department of Art and Communication and teaches across the courses within the department alongside supervising research students in the area of art. Her practice crosses the disciplines of film, sound, sculpture, installation, photography and digital practices. Stansbie has undertaken residencies, commissions and exhibited across Europe and the U.S.

Head of The Department of Art and Communication (2012 – Present)
The School of Art, Design and Architecture, University of Huddersfield

Acting Director of International (2014)
The School of Art, Design and Architecture, University of Huddersfield

Course Leader B.A (Hons) Contemporary Art and personal tutor for M.A Fine Art students. (2008 – 2012)

Senior Lecturer B.A (Hons) Contemporary Art (2008)

Research & Scholarship

Stansbie’s PhD Zeppelinbend: Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practice, was the first ever entirely web based PhD in the U.K. As a researcher recently submitted to the REF 2014, her outputs were a combination of exhibition based art practice and publications. The book chapter ‘Establishing the Cybertextual in Practice based PhD’s’. In: SAGE Handbook of Digital Dissertations and Theses used her own PhD as a case study for innovative approaches to practice based research in creative disciplines. The chapter focuses on UK based PhD study in art and design (linked to practice-based research) tracing the historical developments of formats of submission of such doctoral study. She has a continued interest in practice-based research and forms of digital publishing.

Recently the research has continued to be innovative by situating practice and publications in the transdisciplinary realm. Research around The Arts and Sport has resulted in a number of exhibitions, book chapters and papers that have established that this is a new and evolving area of research. Such collaborative research seeks to challenge discipline boundaries and provides opportunities for joint research funding and projects. Recent work investigates the narratives, processes, rituals, performativity and apparatus of sports. The work combines both object based sculpture, photography, drawing and films that research sport by a direct involvement and performance within it. Documentary processes and re-enactment are engaged, with Stansbie as the subject of the study.

Publications and Other Research Outputs

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Joe Allen / Artists Anonymous / Fabienne Audeoud / Kirstine Autzen / Alain Ayers / Ondrej Paetau & Kristofer Brody / Gordon Cheung / Koen de Decker / Sean Dower / Paul Eachus / Nooshin Farhid / Francis Farmer / Nadine Feinson / Karin Felbermeyr / Peter Fillingham / Doug Fishbone / Leo Fitzmaurice / Margarita Gluzberg / Susie Hamilton / Michael Hampton / Anne Hardy / Mark Harris / Heidi Hatry / Laura Hatry / Alexander Hidalgo / Steven Hirsch / Claire Hooper / Per Huttner / Susan Jahoda / Ben Judd / Elisa Kay / Joan Key / Sharon Kivland / Ankje Koks / Colm Lally / Liane Lang / Eve Andree Laramee / Liliane Lijn / Gareth Lloyd / Elysa Lozano / Rut Blees Luxemburg / Mark McGowan / Hugh Mendes / David Mollin / Simon Morse / Nicole Morteboys / Charlotte Moth / Toby Mott / Steve Mykieten / Makiko Nagaya / Willie Nash / Joseph Nechvital / Warren Neidich / Monika Oechsler / Derek Ogbourne / Guillaume Paris / Douglas Park / Lisa Penny / Stephanie Polsky / John Reardon / Clunie Reid / Caribic 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The work is the result of a three month research sabbatical from The University of Huddersfield that investigates the narratives, processes, rituals and apparatus of the sport of open water swimming with a focus on the ‘cult’ of channel swimming, in particular the necessity for learned behaviours, collective interaction and the identity of the channel swimmer. ‘Interaction amongst peers can lead to an excessive commitment to action’ (Hughes and Coakley 1991) The work combines both object based sculpture, photography, drawing and films that utilise an experiential approach to the research of the sport by a direct involvement. Documentary processes and re-enactment are engaged, with myself as subject of the study in the video series Acclimatisation (2012). The piece documents the body’s physical response to cold-water immersion and the method of acclimatising (habituation) over a set period of time, a process that is core to channel swimming training. This piece in particular reflects aspects of ‘positive deviant’ behaviour (Ewald and Jiobu, 1985) where there is an over commitment to extending the action (Hughes and Coakley 1991) undertaken by extreme athletes. Links between practices of endurance art and acclimatisation are described. Sandettie Lightship (2012) Shipping Lane (2012) and Standard Relay (2012) are part of a series of sculptural photographs and film made from the same apparatus and materials that channel swimmers use to feed during a swim. The repetitive time-based behaviour of ‘the feed’ and how it is administered is part of the learned channel swimmer behaviour and the self-made feeding constructions become an essential object within the performance of the swim. The constructed sculptures become semi abstract, retaining traces of their function but are further distanced and transposed from their origin as a channel swimming feeder via the medium of film, the editing of which reflects the time-based measuring of the duration of a swim. The series Channel Swimwear Rules (2012) consists of self-portraits of the swimmer wearing all the equipment disallowed when swimming the channel, researching the relationship between the authentic body and the use of technology to enhance performance. 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'num_pieces' => '3', 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1317297243', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '10416', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '5', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'A Century of Artists Film', 'date_type' => 'completed', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2011', 'fileinfo' => '', 'status_changed_second' => '26', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'A Century of Artists Film', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Three films', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/04/16', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '54', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => 21, 'gscholar_impact' => undef, 'official_url' => 'http://mwldan.ticketsolve.com/shows/126513404/events', 'succeeds' => undef, 'datestamp_month' => '5', 'commentary' => undef, 'lastmod_day' => '29', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2011', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Oriel Mwldan, Wales', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '30', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '8', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '26', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 5, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '10416', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2011', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => '21st May - 2nd July 2011', 'fulltimestamp' => '20110521', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '11', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '3483', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '1', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'TR', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '45', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '24', 'datestamp_day' => '24', 'abstract' => 'A Century of Artists' Films The ability to understand and bestow importance to moving images is embedded in the cultural psyche. From cinema, television and the Internet there is an endless stream of content to view, one that we can never hope to keep up with. A hundred films to see before you die. A thousand. A hundred thousand. But the beauty of this is choosing your own hundred, your own thousand. You make your own list. For this show Outcasting, the online moving image gallery is screening a hundred films from those that it has screened in three years of programming. The films come from a variety of genres and styles and hopefully reflect the full breadth of artists engagement with this medium. Over the course of the 43 days that the show will be running audiences will be able to see a truly international range of work with the 100 films being rotated throughout that time.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '45', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2011', 'status_changed_hour' => '8', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '14319' => { 'funders' => 'Arts Council England and Lottery Funding', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1343983012', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '14319', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '8', 'editors_name_honourific' => undef, 'admin_note' => 'GS liaising with Lisa 3 Aug 2012', 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '/14319/1.hassmallThumbnailVersion/bottle1sml.jpg;/14319/1/bottle1sml.jpg|/14319/2.hassmallThumbnailVersion/shippinglane.jpg;/14319/2/shippinglane.jpg', 'status_changed_second' => '41', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Sandettie Lightship and Shipping Lane', 'corp_creators' => 'Corridor 8', 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Magazine', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/43/19', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '19', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.corridor8.co.uk/blog/corridor8-issue-3-3', 'succeeds' => undef, 'datestamp_month' => '8', 'commentary' => undef, 'lastmod_day' => '21', 'publisher' => 'Corridor 8 ', 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'image', 'publication' => undef, 'lastmod_second' => '42', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '9', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '41', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 7, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '14319', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2013', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '8', 'event_dates' => undef, 'fulltimestamp' => '20120700', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '13', 'number' => undef, 'rev_number' => '13', 'edit_lock_user' => '3494', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'no_search', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '56', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '8', 'datestamp_day' => '8', 'abstract' => 'Corridor8 Issue 3: The Fast Slow Edition Corridor8 is an annual international journal of contemporary visual arts and writing based in the North of England. ovelist Jenny Diski, author of Only Human and Nothing Natural, presents new writing recounting two memorable trips to the North of England. A personal response to the writer is provided by New York based novelist and art critic Frederic Tuten. Artist and Northern Art Prize winner Paul Rooney gives us his take on living and working as an artist in Liverpool in a critical examination of the city and its cultural aspirations. Artist and social researcher Grace Hamilton speaks to the North’s major art education institutions including Christine Borland, professor at BALTIC 31 in Newcastle, Maurice Carlin at Islington Mill Academy in Salford, Juan Cruz, professor of fine art at Liverpool’s School of Art and Design at LJMU, Ian Rawlinson, artist and Route Leader at the Manchester School of Art at MMU and The Free University of Liverpool gives a collective interview. Also in this issue we present the first print edition of the, usually online, contemporary art and writing magazine Soanyway. This 16-page special edition explores the theme of ‘Content[s]‘ with its double meaning of containment and contentment. Image-led and printed in full colour on glossy paper, it provides a stunning colour supplement to Corridor8. Contributors to the supplement are Alex Dipple, Andrew George, Phill Hopkins, Eoin Shea, Lisa Stansbie and Anna T, Billy Cancel, Tom Duggan, Claire Potter and Stephanie Richardson.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '56', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2012', 'status_changed_hour' => '9', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '3596' => { 'funders' => 'Arts Council England and Manchester Metropolitan University', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '3596', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '3', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'The Zeppelin Bend', 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '43', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The Zeppelin Bend', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/35/96', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '17', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '10', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Alsager Arts Centre, Alsager Campus of MMU Cheshire', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '18', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '10', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '43', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 10, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '3596', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '2', 'event_dates' => '29th October - 9th November 2007', 'fulltimestamp' => '20071000', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '11', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'NX', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '23', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '6', 'datestamp_day' => '6', 'abstract' => undef, 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '23', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2007', 'status_changed_hour' => '10', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '13616' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1338543297', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '13616', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '6', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Higher Education Academy Exploring Collaborative Learning In Media Studies Programmes', 'date_type' => undef, 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '32', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Structures For Digital Collaboration and Interaction', 'corp_creators' => 'University of Winchester', 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/36/16', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'unpub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '37', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'https://www.winchester.ac.uk/academicdepartments/SchoolofMediaandFilm/newsandevents/Pages/ExploringCollaborativeLearning.aspx', 'succeeds' => undef, 'datestamp_month' => '6', 'commentary' => undef, 'lastmod_day' => '1', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'University of Winchester', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '32', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '9', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '32', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 5, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '13616', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '6', 'event_dates' => 'May 3rd 2012', 'fulltimestamp' => '20120500', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '9', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '37', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '1', 'datestamp_day' => '1', 'abstract' => 'Using the creative multi-modal PhD model of practice and theory (from my own 2010 website only PhD submission Zeppelinbend: Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practice ) B.A Contemporary Arts undergraduate students at The University of Huddersfield have utilised blogs as a reflective space for critically analysing their practice and that of their peers. The blog format enables students to establish peer networks of thought that traverse the visual and textual. These online spaces are both collaborative and singular and act to enable peer-comment and multi-modal cross-referencing of contextual frameworks/precedents in the field. This paper will discuss how the practice of blogging has formed a vital part of the modules within the B.A Contemporary Arts degree programme at The University of Huddersfield and enabled students to develop differentiated approaches to writing. It will also pose interesting case studies of potential digital tools such as the Lines software. Lines has the potential to assist students in interpreting text and encourages collaborative responses to reading and writing in a non-linear way, enabling the text to be commented upon and expanded from a collective audience/readership. This process is suited to the reading and writing habits that students in the 21st century encounter and enables students to capture thoughts and knowledge as they traverse the landscape of the Internet. (http://lines.thecafesociety.org/#intro) Keywords: Multimodal, blogs, digital collaboration, networks, digital theses, reflective writing, non-linear ', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '37', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2012', 'status_changed_hour' => '9', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '7072' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '7072', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '3', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'The Wings', 'date_type' => '', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2010', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/7072/1/TheWingsPublication.pdf|/7072/2.hassmallThumbnailVersion/timeout.tiff;/7072/2/timeout.tiff|/7072/3.hassmallThumbnailVersion/thwingsinvite.jpg;/7072/3/thwingsinvite.jpg|/7072/4.hassmallThumbnailVersion/thewings1.jpg;/7072/4/thewings1.jpg|/7072/5.hassmallThumbnailVersion/TheWingsclose.jpg;/7072/5/TheWingsclose.jpg', 'status_changed_second' => '2', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The Wings', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/70/72', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '41', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '30', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2010', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Vyner Street Gallery London', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '17', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '15', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '2', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 9, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '7072', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '1st - 14th September 2009', 'fulltimestamp' => '20090900', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '13', 'number' => undef, 'rev_number' => '43', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '2', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'NX', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '43', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '10', 'datestamp_day' => '10', 'abstract' => 'Press Release For 'The Wings', Lisa Stansbie has created in the gallery space a fictional bar described in her earlier narrative film Apprehension (2007). Somewhere between an installation, a stage set and an elaborate frame within which to view the original film, it marks a significant departure in Stansbie's work into a larger-scale manipulation of space and materials. Like all her recent work it has evolved through a strategy that uses the internet as a chaotic information source to generate a continuing series of connections and associations in an ever-expanding digital archive. This is used as the basis for her production of new films and object-based works that create coherent and intriguing narratives from the random threads of connection between isolated fragments of information on the web. In the case of Apprehension, the starting point is the pedigree of a racehorse, woven into a complex narrative that takes place in the bar that is rendered visible and material here.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '43', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '15', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '3606' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' 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=> 'Tsendpurev', 'creators_id' => undef }, '2' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Smith', 'eprintid' => '3606', 'creators_name_honourific' => '', 'pos' => '2', 'creators_name_given' => 'Megan L', 'creators_id' => undef }, '5' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '3606', 'creators_name_honourific' => '', 'pos' => '5', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '3', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Odoo/Current', 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '57', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Odoo/Current', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/36/06', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '21', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '10', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'The Genghis Art Gallery in Ulaanbaatar, Mongolia', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '31', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '10', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '57', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 4, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '3606', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '2', 'event_dates' => '10th - 30th April 2007', 'fulltimestamp' => '20070400', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '11', 'number' => undef, 'rev_number' => '15', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '45', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '10', 'datestamp_day' => '10', 'abstract' => undef, 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '45', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2007', 'status_changed_hour' => '10', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '3597' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '3597', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '3', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Siberia Film Nights Show Two 2007', 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '44', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The cloud collector ', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/35/97', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '3', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '17', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => 29, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '10', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Siberia Project Space, Hackney, London', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '52', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '11', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '44', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 9, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '3597', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '2', 'event_dates' => '29th September 2007', 'fulltimestamp' => '20070929', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '11', 'number' => undef, 'rev_number' => '15', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'NX', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '28', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '6', 'datestamp_day' => '6', 'abstract' => undef, 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '12', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '28', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2007', 'status_changed_hour' => '11', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '22069' => { 'funders' => 'Sharjah Art Foundation', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1414678502', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '22069', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '10', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => '/seconds', 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2014', 'fileinfo' => '', 'status_changed_second' => '13', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => '/seconds Exhibition (Swimming Machines)', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Exhibition', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/02/20/69', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '19', 'refereed' => undef, 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => 11, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '10', 'commentary' => undef, 'lastmod_day' => '30', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2014', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Sharjah Art Foundation Space, UAE.', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '14', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '14', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '14', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 10, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '22069', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2014', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '10', 'event_dates' => 'October 11th - December 10th 2014', 'fulltimestamp' => '20141011', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '14', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '6', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '19', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '30', 'datestamp_day' => '30', 'abstract' => 'Curated by Peter Lewis, Sharjah Art Foundation presents a selection of artists’ works from the online journal /seconds. (2004-2014), which covers a broad range of issues and art practices from different cultural perspectives. The project was initiated in 2004 and has invited over 1500 artists and writers to contribute over the years. The exhibition features key contributors from the ten year period, in tandem with Lewis' curatorial projects. Works on display include installations, interactive performance, video, photography and several hundred commissioned posters', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '19', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2014', 'status_changed_hour' => '14', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '11071' => { 'funders' => 'Ministry of Culture, Slovenia', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1311849090', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '11071', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '7', 'editors_name_honourific' => undef, 'admin_note' => 'Emailed author for copy when available SJT 28/7/11', 'event_title' => 'Transitory Network Forum', 'date_type' => 'published', 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2011', 'fileinfo' => '', 'status_changed_second' => '7', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Appropriation and the Hack: New Forms of Production', 'corp_creators' => 'Museum of Transitory Art, Slovenia', 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/10/71', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'submitted', 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '35', 'refereed' => 'TRUE', 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '7', 'commentary' => undef, 'lastmod_day' => '28', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2011', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Salon Museum of Contemporary Art, Belgrade, Serbia', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '7', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '10', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '7', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 7, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '11071', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2011', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '21st-22nd July 2011', 'fulltimestamp' => '20110700', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '10', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '6', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '1', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'NX', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '35', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '28', 'datestamp_day' => '28', 'abstract' => '‘Transitoriness vs. permanence: creative practices in the era of hyper-mobility’. My art practice is hybrid, involving the production of works that are immaterial/online and material/physical. This hybridity necessitates testing the notion of ‘mobilised sites’ where work is shown (sometimes simultaneously) in both online and material spaces. This process for the dissemination of the work also interrogates how the work might be received, read or used and the difference in audiences for each site. Hybridity is also present in the methods of production where a symbiotic co-authorship exists between (myself as) author and search engines as ‘co-authors’. The process of digital appropriation from the Internet and also the digital presentation of the work references McKenzie Wark’s theories of the ‘hack’: "In art, in science, in philosophy and culture, in any production of knowledge where data can be gathered, where information can be extracted from it, and where in that information new possibilities for the world produced, there are hackers, hacking the new out of the old". (Wark, 2004, s.004) ', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '35', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2011', 'status_changed_hour' => '10', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '21501' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => '13', 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1410449665', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '21501', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '9', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Nothing Great Is Easy', 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2014', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/21501/1/Platform%2DJul%2DSept.pdf', 'status_changed_second' => '24', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Nothing Great Is Easy', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Exhibition', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/02/15/01', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '37', 'refereed' => undef, 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://platformartsbelfast.com/project/nothing-great-easy/', 'succeeds' => undef, 'datestamp_month' => '9', 'commentary' => undef, 'lastmod_day' => '11', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2014', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Platform Arts, Belfast ', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '25', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '15', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '25', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 9, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '21501', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2014', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => '4th - 25th September 2014', 'fulltimestamp' => '20140900', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '15', 'number' => undef, 'rev_number' => '11', 'edit_lock_user' => '6', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '37', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '11', 'datestamp_day' => '11', 'abstract' => 'A solo exhibition of 13 pieces of art work. Nothing Great is Easy is an exhibition of sculpture, film, drawing and photography that proposes reconstructed narratives using the sport of swimming and in particular the collective interaction and identity of the channel swimmer. The work utilises the processes, rituals/rules, language and the apparatus of sport. “Nothing great is easy” are the words on the memorial to Captain Matthew Webb who was the first man to swim the English channel in 1875.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '37', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2014', 'status_changed_hour' => '15', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '5632' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '5632', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '9', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Pan-demonium', 'date_type' => 'completed', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/5632/1/Pandemonium%2Dbrochure%2D2.pdf', 'status_changed_second' => '7', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Pan-demonium', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Various', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/56/32', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '47', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '9', 'commentary' => undef, 'lastmod_day' => '28', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'AC Institute [Direct Chapel]', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '24', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '16', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '7', 'note' => 'Works exhibited: the film "The Messenger" (2008) and 4 still photographs titled "The First Messenger", "The Second Messenger", "The Third Messenger" and "The Fourth Messenger" all 2008.', 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 9, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '5632', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '3 September - 10 October, 2009', 'fulltimestamp' => '20090900', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '18', 'number' => undef, 'rev_number' => '18', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'digital', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '36', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '17', 'datestamp_day' => '17', 'abstract' => undef, 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '3494', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '36', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '16', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '16525' => { 'funders' => 'Arts Council England and Lottery Funding', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1377091998', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '16525', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '8', 'editors_name_honourific' => undef, 'admin_note' => 'GS liaising with Lisa 3 Aug 2012', 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2013', 'fileinfo' => '/16525/1.hassmallThumbnailVersion/bottle1sml.jpg;/16525/1/bottle1sml.jpg|/16525/2.hassmallThumbnailVersion/shippinglane.jpg;/16525/2/shippinglane.jpg', 'status_changed_second' => '37', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Sandettie Lightship and Shipping Lane', 'corp_creators' => 'Corridor 8', 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Magazine', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/65/25', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '38', 'refereed' => 'TRUE', 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.corridor8.co.uk/blog/corridor8-issue-3-3', 'succeeds' => '14319', 'datestamp_month' => '8', 'commentary' => undef, 'lastmod_day' => '21', 'publisher' => 'Corridor 8 ', 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2013', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'article', 'publication' => 'Corridor 8: The Fast Slow Edition', 'lastmod_second' => '31', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => '9780955267260', 'datestamp_hour' => '13', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '37', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 7, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '16525', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2013', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '8', 'event_dates' => undef, 'fulltimestamp' => '20120700', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '13', 'number' => '3', 'rev_number' => '8', 'edit_lock_user' => '11133', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '1', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'TR', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '19', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '21', 'datestamp_day' => '21', 'abstract' => 'Corridor8 is an annual international journal of contemporary visual arts and writing based in the North of England. Novelist Jenny Diski, author of Only Human and Nothing Natural, presents new writing recounting two memorable trips to the North of England. A personal response to the writer is provided by New York based novelist and art critic Frederic Tuten. Artist and Northern Art Prize winner Paul Rooney gives us his take on living and working as an artist in Liverpool in a critical examination of the city and its cultural aspirations. Artist and social researcher Grace Hamilton speaks to the North’s major art education institutions including Christine Borland, professor at BALTIC 31 in Newcastle, Maurice Carlin at Islington Mill Academy in Salford, Juan Cruz, professor of fine art at Liverpool’s School of Art and Design at LJMU, Ian Rawlinson, artist and Route Leader at the Manchester School of Art at MMU and The Free University of Liverpool gives a collective interview. Also in this issue we present the first print edition of the, usually online, contemporary art and writing magazine Soanyway. This 16-page special edition explores the theme of ‘Content[s]‘ with its double meaning of containment and contentment. Image-led and printed in full colour on glossy paper, it provides a stunning colour supplement to Corridor8. 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undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '10', 'event_dates' => '11 September 2012', 'fulltimestamp' => '20120900', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '13', 'number' => undef, 'rev_number' => '10', 'edit_lock_user' => '3494', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '2', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '21', 'datestamp_day' => '21', 'abstract' => '‘…in my search for texts on sports and art, I began to suspect at some point that , at least since the 1990’s the relationship between the two was one of mutual scepticism or lack of interest’ (Jahn 2006) Body Power: Power Play: Views on Sports in Contemporary Arts This paper discusses how the rituals, apparatus and experience of channel swimming (and open water swimming) forms the basis of research that is developed into concept based contemporary art work, drawing parallels with time-based documentary processes for performance art and contemporary examples of endurance art. The research draw two seemingly disparate disciplines together, art and sport. The relationship between art and sport is full of ‘tension and ambivalence ’. Artists that have worked in the realm of art and sport do so often through residencies and an attempt to ‘capture’ the essence of the sport they are researching through observation and documentation, the notion of sport ‘in’ art rather than ‘through’ it. Examples of how artists respond via direct involvement are less well documented. This paper sets up a methodology for the generation of artwork through sport. 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1 May 2010', 'fulltimestamp' => '20100326', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '14', 'number' => undef, 'rev_number' => '73', 'edit_lock_user' => '11133', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'ADA_ICP', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '56', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '1', 'datestamp_day' => '1', 'abstract' => 'Continuing a season of exhibitions investigating parallels between art and cinema, g39 presents a new group exhibition inspired by the film Short Cuts (1993). Directed by Robert Altman and drawn from nine short stories and a poem by Raymond Carver, the film traces the actions of twenty-two principal characters, both in parallel and at occasional loose points of connection. Short Cuts does not conform to traditional narrative Hollywood cinema. There is narrative, to be sure, though the manner in which narrative operates moves far and away from classical Hollywood style. The movie employs a non-linear, dynamic and somewhat negotiable framework of stories. This show brings together work from Tim Freeman, Henry Gwiazda, Rick Niebe and Lisa Stansbie, who all offer their own hypertext on a variety of narratives. Like the film, the works shown here offer parallel themes and fiction within each of the works, depending on and determined by the interpretation of the viewer. Lisa Stansbie continues an exploration of sculpture, film and photography through the use of Airfix model kits, informed by ambiguous narratives and stories. Through the use of out-dated analogue film stock and digital manipulation, Wales-based Tim Freeman’s Anti Nature uses un-doctored photographic images alongside manipulated ones, raising questions of the factual and fictitious elements of photography. Rick Niebe focuses his attention on ordinary anonymous images as well as on fragments from cinematographic history whilst Henry Gwiazda uses CGI moving image informed by his sound composition practice, aiming to disorient the viewer whilst playing a game between memory and formation of new meanings. Each work defies the concept of linear time and experience in the same way that Short Cuts presents you with an almost chaotic narrative of connections. This show was curated by Michael Cousin The following Artists were in this show: Tim Freeman, Rick Niebe, Lisa Stansbie, Henry Gwiazda', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '56', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => ''Spitfire Beach' on Outcasting (2013): http://www.outcasting.org/2013/03/spitfire-beach-lisa-stansbie/ ', 'date_year' => '2010', 'status_changed_hour' => '8', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '16827' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1363697629', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '16827', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '2', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Time, Space and The Body Global Conference', 'date_type' => undef, 'pres_type' => 'paper', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2013', 'fileinfo' => '', 'status_changed_second' => '46', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The Performance of the Channel Swimmer: Time-based Rituals and Technology', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/68/27', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'submitted', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '54', 'refereed' => undef, 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => 13, 'gscholar_impact' => undef, 'official_url' => 'http://www.inter-disciplinary.net/probing-the-boundaries/making-sense-of/time-space-and-the-body/conference-programme-papers-and-abstracts/', 'succeeds' => undef, 'datestamp_month' => '2', 'commentary' => undef, 'lastmod_day' => '21', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2013', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Mercure Hotel, Sydney, Australia', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '47', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '16', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '47', 'note' => undef, 'edit_lock_until' => '1363701229', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 2, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '16827', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2013', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '2', 'event_dates' => '10th - 13th February 2013', 'fulltimestamp' => '20130213', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '16', 'number' => undef, 'rev_number' => '8', 'edit_lock_user' => '11133', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '1', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'TR', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '54', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '21', 'datestamp_day' => '21', 'abstract' => 'Contemporary sport is, with respect to the body, clearly an emancipatory rather than a disciplinary enterprise. Foucault’s perspective on modernity’s disciplinary strategies might apply to modern sport, but it no longer does so to postmodern sport.’ (Light, 2005) There is a philosophy attached to the sporting body that ascertains that the sporting act results in a positive balance within the participants mind. With the process and act of channel swimming, the body moves from this initially ethical position to an aesthetic position that culminates in the in the spectacle of the enduring act, the swim. While the swim lacks an obvious audience, the performance is documented through time-based means sharing similar processes to the time-based documentation of Performance Art (specifically involving enduring acts). The reception of the channel swimming video is celebrated and disseminated via the global audience of the web as a staged event. During a channel swim the body is a natural state, free from the technology of enhancing equipment, evidencing the physical capabilities of the swimmer. The repeated and learned practice and behaviours of training techniques such as acclimatisation (habituation) subject the body to extremes and demand that it adapts and becomes a fluid natural body. Magdalinki’s (2009) discussion around the physiological body and how processes of bodily changes and adaption have to be earned within sport will be discussed in relation to swimwear rules and how the use of technology (such as wetsuits) is viewed as challenging. The presentation will show Stansbie’s artworks as a result of research into channel swimming and specifically the film work Acclimatisation (2012) a short art film documenting the bodies reactions to (cold water) habituation.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '54', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2013', 'status_changed_hour' => '16', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '6717' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => '3', 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1317803942', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '6717', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '1', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Hackamore', 'date_type' => 'completed', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2010', 'fileinfo' => '', 'status_changed_second' => '20', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Hackamore', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Exhibition (online)', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/67/17', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '39', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => 12, 'gscholar_impact' => undef, 'official_url' => 'http://window.auckland.ac.nz/archive/2009/03b/online.html', 'succeeds' => undef, 'datestamp_month' => '1', 'commentary' => undef, 'lastmod_day' => '5', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2010', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'University of Auckland Gallery The Window', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '26', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '8', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '20', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 3, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '6717', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2011', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '10', 'event_dates' => '12/03/09 - 10/04/09', 'fulltimestamp' => '20090312', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '8', 'number' => undef, 'rev_number' => '16', 'edit_lock_user' => '3483', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '51', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '19', 'datestamp_day' => '19', 'abstract' => 'Leeds-based artist Lisa Stansbie’s digital art is made through a process of browsing: meandering through information, following and forming connections between ideas. Capitalising on the Internet’s potential for absurdity, Stansbie wades through its unedited glut of information, following connective threads that defy logic to create works which tease meaning out of meaninglessness. Often centred around the theme of a journey, her films are narratives braided together from the data generated by search engines like Google. Mapping paths which intersect with the information highways, Stansbie finds poetry in unexpected associations. In Hackamore, showing on Window Online, Stansbie’s films explore the fragmentary nature of narrative. Dislocated data takes on surreal, dream-like qualities as the familiar and the alien form an unexpected alliance. Like the hackamore, a traditional form of bitless horse bridle formed by braiding rope and rawhide, Stansbie’s work allows for negotiation, a to-and-fro between rider and steed. Anna Parlane (Curat', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '51', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '8', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '12804' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1373552069', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '12804', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '2', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Flight', 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'yes', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/12804/20/ROTOR_2012_Brochure.pdf|/style/images/fileicons/application_pdf.png;/12804/1/Invitation_to_Lisa_Stansbie.Flight.pdf|/style/images/fileicons/image.png;/12804/2/ROTO%D0%AF_Film_Screening_e%2Dflyer.jpg|/style/images/fileicons/image.png;/12804/3/ROTOR_opening.jpg|/style/images/fileicons/image.png;/12804/4/ROTOR_opening2.jpg', 'status_changed_second' => '12', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Flight (ROTOR)', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/28/04', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '14', 'refereed' => undef, 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '2', 'commentary' => undef, 'lastmod_day' => '11', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Huddersfield Art Gallery', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '47', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '9', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '12', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 1, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '12804', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2013', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '28 January – 24 March 2012', 'fulltimestamp' => '20120100', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '14', 'number' => undef, 'rev_number' => '33', 'edit_lock_user' => '11133', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '19', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '21', 'datestamp_day' => '21', 'abstract' => 'Stansbie’s work is generated by collecting mundane information via search engines on the internet. She has been building these connections into a digital archive of fragments over the past 6 years. The archive is then used as a source for the creation of satellite art works; films, sculptures and installation created from individual parts of the archive and as a result the archive acts as an index to Stansbie’s practice. A recurring sense of nostalgia pervades her films. ‘The metaphor of the archaeological dig, apt for researchers excavating boxes of papers, rummaging through store rooms and venturing into dusty warren-like archives, has become redundant with the uniform accessibility of information online. In Stansbie’s work, nostalgia rubs shoulders with the sense of geographic and chronological dislocation’ – Anna Parlane (2008). Flight is a collection of works that has its roots within the archive. The pieces are connected to each other through the act of flight. These seemingly arbitrary pieces involve wings, aeroplanes and birds and their genealogy can be traced to the archival starting point. The fictional narratives encourage notions of flight in one’s mind, instilling a sense of leaving, loss, escape and journeys.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '3494', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '19', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => 'Review Javin, Val. 'Lisa Stansbie’s imagination takes Flight at Huddersfield Art Gallery; in The Huddersfield Examiner (17 February 2012): http://www.examiner.co.uk/leisure-and-entertainment/arts-news/2012/02/17/lisa-stansbie-s-imagination-takes-flight-at-huddersfield-art-gallery-86081-30346337/', 'date_year' => '2012', 'status_changed_hour' => '9', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '3602' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '3602', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '3', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Athens Video Art Festival 07', 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '', 'status_changed_second' => '42', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The Emperor of the moon', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/36/02', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '20', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '10', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Athens, Greece', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '58', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '15', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '42', 'note' => undef, 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 4, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' 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The Chapter focuses in particular on UK based PhD study in art and design (linked to practice-based research). Tracing the historical developments of formats of submission of such doctoral study, I explore alternative approaches, with a focus on the format of the website submission, which is still in its infancy. Using my own multi-modal practice-based submission www.zeppelinbend.com (which exists solely online) alongside other precedents in the arts and humanities, the potential for experimental structures and access is investigated to reveal how digital submissions can offer a suitable format for multi-modal creative research, rather than traditional material based submission. The discussion includes the unique interactive processes of hyperlinking examined in relation to interactivity, proposing a differentiated approach for a reader, who then becomes an active ‘user’. 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The work is the result of a three month research sabbatical from The University of Huddersfield that investigates the narratives, processes, rituals and apparatus of the sport of open water swimming with a focus on the ‘cult’ of channel swimming, in particular the necessity for learned behaviours, collective interaction and the identity of the channel swimmer. ‘Interaction amongst peers can lead to an excessive commitment to action’ (Hughes and Coakley 1991) The work combines both object based sculpture, photography, drawing and films that utilise an experiential approach to the research of the sport by a direct involvement. Documentary processes and re-enactment are engaged, with myself as subject of the study in the video series Acclimatisation (2012). The piece documents the body’s physical response to cold-water immersion and the method of acclimatising (habituation) over a set period of time, a process that is core to channel swimming training. This piece in particular reflects aspects of ‘positive deviant’ behaviour (Ewald and Jiobu, 1985) where there is an over commitment to extending the action (Hughes and Coakley 1991) undertaken by extreme athletes. Links between practices of endurance art and acclimatisation are described. Sandettie Lightship (2012) Shipping Lane (2012) and Standard Relay (2012) are part of a series of sculptural photographs and film made from the same apparatus and materials that channel swimmers use to feed during a swim. The repetitive time-based behaviour of ‘the feed’ and how it is administered is part of the learned channel swimmer behaviour and the self-made feeding constructions become an essential object within the performance of the swim. The constructed sculptures become semi abstract, retaining traces of their function but are further distanced and transposed from their origin as a channel swimming feeder via the medium of film, the editing of which reflects the time-based measuring of the duration of a swim. The series Channel Swimwear Rules (2012) consists of self-portraits of the swimmer wearing all the equipment disallowed when swimming the channel, researching the relationship between the authentic body and the use of technology to enhance performance. 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He also describes how practitioners elaborate on ‘the found object, image and text’. In considering the notion of ‘fluid archives’ I will pose questions around the use of objects and text in artists digital and material archives within contemporary art practice and how archive narratives are created by the presence of an author. This will also involve an interrogation of the fictional archive and how objects, texts and images are utilised to generate fictive approaches, which impacts upon the continually shifting ‘fluid’ relationship of an audience/user/viewer in the reception of such work. My own digital archive will be discussed and the methods of construction which include appropriating objects, imagery and text using the mechanised logic of search engines who are ‘co-authors’ in the process, enabling a connection of seemingly random text and information. The archive has recently developed into a research tool and continuing associations are made from its contents meaning that the archive itself functions as the starting point for a variety of separate material art work/objects. 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'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => undef, 'fulltimestamp' => '20090800', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => '80', 'source' => undef, 'lastmod_hour' => '13', 'number' => undef, 'rev_number' => '18', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'digital', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '43', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '12', 'datestamp_day' => '12', 'abstract' => 'Pan-demonium resonates with the current global politicalm ecological and economic situation - one in which the hegemonic forces of order have been overwhelmed by a dynamic of chaos and disorder, turning the world 'upside-down'. Does it offer a metaphor for a critique of global capitalism and its 'devils' - its pan-demons - in all their guises (pan-demics included)? Or perhaps it conjures up collective creative forces for political challenge and the re-inscription of Pan in contemporary mythology? bricolagekitchen invited visual, sonic and written responses to the idea of Pan-demonium and brought this together in an exhibition presented at the AC Institute [Direct Chapel] New York, 3 September - 10 October 2009. 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Since 2003, more than 15 art galleries and exhibition rooms have opened and over 80 artists work at the Leipzig Cotton Spinning Mill. One to three international group exhibitions per year take place and this year g39 have been invited to present a curated insight of contemporary art from Wales and other UK based artists. The word portmanteau traces back to the mid 16th century in English in which it was used in its arcane form, portemantew, to describe a bag or carrying case for clothing. At the end of the 16th century, it was first used in France, as 'porte-manteau,' to label the human carrier of clothing. By the 17th century, its original meaning was extended to any case or container of a mix of items. In the 21st century this was further extended to include any portable memory device. For the exhibition, g39 will transport a ‘digital suitcase’ for presentation. Think of this as a last minute decision to go on a weekend trip and having to pack an overnight bag with the essentials. With that in mind g39 are taking a hard drive to project digital works in the space at Halle 14, alongside several physical recent works. Selected artists are Jennie Savage & James Tyson, Anthony Shapland, Richard Bevan, Helen Sear, Lisa Stansbie, Candice Jacobs, Lesley Guy, Tamara Krikorian, Pascal Dubois, Maia Conran and Heather Phillipson. 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The voice is something which points towards meaning’(Dolar 2006) The paper will analyse the potential of voice to be a signifer of narrative and an immersive instrument within contemporary artists film and their construction, utilising my own practice by screening the digital film Spitfire Beach (2010) as a case study. The notion of the ‘speaking subject’ (Kristeva) will be investigated, through forms of the voiceover that establish an absent presence within the film works. When voice conveys language as it does via the storytelling in the discussed work, it also creates an absent subject within the films. The voiceover becomes informer, performer and vouyeur of events as they unfold Each of my film works uses a systematic process of narrative construction, involving found lists of words taken from Internet searches. These lists of words are used to multiply associations that suggest stories, reveal themes of nostalgia, journeys and disasters, which are then recast by the recording of the narrative by voiceover artists. The notion of multiplicity is also used where tangential associations are developed in the writing of the blogs that document the making process of the films. These associations are constructed specifically via nostalgic memory. In the Spitfire Beach blog (2010) the narrative of the blog is structured around the making of the film Spitfire Beach. However, the writing in this form becomes more than documentation, as interwoven narratives unfold and a process of remembering is engaged. The voice present within the blog is that of the artist and this voice merges memory and association in an unrestrained and wandering style. 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'datestamp_year' => '2011', 'fileinfo' => '', 'status_changed_second' => '7', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'A History of Background', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'audio CD + booklet, cantaudio033', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/97/06', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '38', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.ahistoryofbackground.com/', 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '8', 'publisher' => 'Cantaudio', 'pagerange' => undef, 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undef, 'lastmod_month' => '3', 'event_dates' => undef, 'fulltimestamp' => '20110100', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '9', 'number' => undef, 'rev_number' => '10', 'edit_lock_user' => '6', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '32', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '3', 'datestamp_day' => '3', 'abstract' => 'A history of background, audio CD + booklet, cantaudio033, February 2011 An edition of 1,000 audio CDs compiled by artist Alan Dunn, Associate Senior Lecturer in Contemporary Art at Leeds Metropolitan University. As the revolution dies and the grey clears, new backgrounds come into view. From the beginning of time and space at the big bang, background has been an unavoidable issue to deal with and the CD looks at the manners in which artists, writers, filmmakers, designers and musicians have creatively explored the concept of background; vanishing points, dub, bass guitar, deep space, landscape, soundtracks, Muzak, ambience, dubstep, piped music, noise and eavesdropping. The collection includes new 30-second compositions from students and staff of the School of Contemporary Art & Graphic Design, sitting alongside new works from artists such as Undark, Hannah Dargavel-Leafe and Lisa Stansbie. Completing the collection is archival material from Erik Satie, David Bowie, Brian Eno, Lee 'Scratch' Perry, Yoko Ono, Einsturzende Neubauten, Michelangelo Antonioni and Andy Warhol. The CDs are being packaged by Graphic Design students and will be given away freely from January 2011. 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6th August 2011', 'fulltimestamp' => '20110427', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '11', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '3494', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '41', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '10', 'datestamp_day' => '10', 'abstract' => 'The Film 'Ark'(2011) was commissioned by Project Space Leeds for the group show Hunter Gatherer. Artists respond to the Artemis* Collection Amelia Crouch / Lubaina Himid and Susan Walsh / Dinu Li / Rhiannon Silver / Bryndís Snæbjörnsdóttir and Mark Wilson / Lisa Stansbie / Nathan Walker 28 April - 6 August 2011 (open Bank Holiday weekend 29 and 30 April) Nine artists from across the North of England have been invited to create new work in response to Artemis, an amazing collection of over 10,000 objects relating to world cultures, fine and applied art, science, natural history, textiles and costume, social history, childhood and more. Based in Holbeck, Leeds, the collection forms an art loan service for Education Leeds to which artists have been given exclusive access. The title of the show ‘Hunter Gatherer’ refers to a term used by anthropologists to describe the way in which human beings collected food before the advent of agriculture. Here it references the artists and the processes they have employed to sift through the vast Artemis collection. The resulting works include sculpture, installation, film, prints and drawing which form part static exhibition and part on-going project within the space. 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While it may be the case that tension causes destruction and harm, it is equally likely that it can open up new avenues for creation, adaption, and change. Tension can be used as a conceptual tool for thinking about the moments when bodies collide with time and space, and each makes its presence known. It is in tension that we see moments of opportunity arise. Body Tensions explores these moments through the use of cross-chapter dialogue between inter-disciplinary and internationally located authors. Focusing on expressing and transgressing body tensions, the authors consider issues such as how humans embody time and space; where the limits of corporeality lie; and in what ways humans are able to re-imagine their bodies, environments, and cultures.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '28', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2014', 'status_changed_hour' => '9', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '6210' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => '1', 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => undef, 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '6210', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '11', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'InCounter. Sound - Video – Text', 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2009', 'fileinfo' => '/6210/1.hassmallThumbnailVersion/InCounter%2DFlyer.jpg;/6210/1/InCounter%2DFlyer.jpg', 'status_changed_second' => '35', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'The Emperor of The Moon (2006) ', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Video', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/62/10', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '33', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.campbellworks.org/content/incounter-sound-video-%E2%80%93-text', 'succeeds' => undef, 'datestamp_month' => '11', 'commentary' => undef, 'lastmod_day' => '30', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2009', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Campbell Works, Belfast Road, Stoke Newington', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '59', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '11', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '35', 'note' => 'Live performances: Anne Bean & Richard Wilson, Melanie Clifford & Melissa Castagnetto, Stephen Cornford, Guapo Esmeralda, Holly Pester, Tone Poem. Videos: Steven Ball, Laure Prouvost, Stefan Riebel, Paul Rooney, Erica Scourti, Lisa Stansbie Wall text: Emily Candela ', 'edit_lock_until' => undef, 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 11, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '6210', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2010', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '7', 'event_dates' => '28 November 2009', 'fulltimestamp' => '20091100', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '13', 'number' => undef, 'rev_number' => '19', 'edit_lock_user' => undef, 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'digital', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '7', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '12', 'datestamp_day' => '12', 'abstract' => 'A night of live sonic art, performance and video at Campbell Works. Edgy instrumental improvisation, live electronic mixing, found-sound clashes and spoken word performance are interspersed with videos about language, communication and the construction of narrative within moving image', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '3494', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '7', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '11', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '21362' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1408019175', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '21362', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '8', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2014', 'fileinfo' => '', 'status_changed_second' => '9', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Exploring Bodies in Time and Space: The Performance of the Channel Swimmer: Time-Based Rituals and Technology', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/02/13/62', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '33', 'refereed' => 'TRUE', 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'https://www.interdisciplinarypress.net/online-store/ebooks/diversity-and-recognition/exploring-bodies-through-time-and-space', 'succeeds' => undef, 'datestamp_month' => '8', 'commentary' => undef, 'lastmod_day' => '14', 'publisher' => 'Interdisciplinary Press', 'pagerange' => '263-272', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2014', 'book_title' => 'Exploring Bodies in Time and Space', 'thesis_name' => undef, 'event_location' => undef, 'type' => 'book_section', 'publication' => undef, 'lastmod_second' => '9', 'place_of_pub' => 'Oxford, UK', 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '12', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '9', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 8, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '21362', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2014', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => '978-1-84888-246-1', 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '8', 'event_dates' => undef, 'fulltimestamp' => '20140800', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => '282', 'source' => undef, 'lastmod_hour' => '12', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '6', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'B1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '33', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '14', 'datestamp_day' => '14', 'abstract' => 'There is a philosophy attached to the sporting body that ascertains that the sporting act results in a positive balance within the participants mind. With the process and act of channel swimming, the body moves from this initially ethical position to an aesthetic position that culminates in the spectacle of the enduring act, the swim. While the swim lacks an obvious audience, the performance is documented through time-based means sharing similar processes to the time-based documentation of Performance Art (specifically involving enduring acts). The reception of the channel swimming video is celebrated and disseminated via the global audience of the web as a staged event. During a channel swim the body is in a natural state, free from the technology of enhancing equipment, evidencing the physical capabilities of the swimmer. The repeated and learned practice and behaviours of training techniques such as acclimatisation (habituation) subject the body to extremes and demand that it adapts and becomes a fluid natural body. Magdalinki’s discussion around the physiological body and how processes of bodily changes and adaption have to be earned within sport will be discussed in relation to swimwear rules and how the use of technology (such as wetsuits) is viewed as challenging. The discussion draws on my 2012 film work Acclimatisation, a short art film documenting the body’s reactions to (cold water) habituation.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '33', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2014', 'status_changed_hour' => '12', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '15197' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1349786182', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '15197', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '10', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => '2012 Global Open Water Swimming Conference', 'date_type' => '', 'pres_type' => 'lecture', 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => 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'36', 'refereed' => undef, 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.imathlete.com/events/EventDetails.aspx?fEID=13448', 'succeeds' => undef, 'datestamp_month' => '10', 'commentary' => undef, 'lastmod_day' => '9', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'HMS Queen Mary, Los Angeles, California.', 'type' => 'conference_item', 'publication' => undef, 'lastmod_second' => '52', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '13', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '39', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 9, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '15197', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '10', 'event_dates' => '21-23 September', 'fulltimestamp' => '20120900', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '12', 'number' => undef, 'rev_number' => '15', 'edit_lock_user' => '3494', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'GV', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '59', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => 'conference', 'importid' => undef, 'status_changed_day' => '1', 'datestamp_day' => '1', 'abstract' => 'The Global Open Water Swimming Conference. Contemporary Art & The Open Water A lecture discussing the practice of open water swimming and its parallels with performance art documentation via time-based processes of film. The lecture highlights how conceptually based artworks have been developed from direct involvement with the sport of open water swimming and how the work is received by a sport audience. ', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '59', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2012', 'status_changed_hour' => '13', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '9045' => { 'funders' => 'Space supported by Arts Council England', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1317284596', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '9045', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '12', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Totemic Objects', 'date_type' => 'completed', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2010', 'fileinfo' => '/9045/1.hassmallThumbnailVersion/wholegallery.jpg;/9045/1/wholegallery.jpg|/9045/2.hassmallThumbnailVersion/redprojectionboxes2.jpg;/9045/2/redprojectionboxes2.jpg|/9045/3.hassmallThumbnailVersion/eurofighter1.jpg;/9045/3/eurofighter1.jpg|/9045/4.hassmallThumbnailVersion/ghostsofpastcrashesall.jpg;/9045/4/ghostsofpastcrashesall.jpg|/9045/5.hassmallThumbnailVersion/modelandeurofighter.jpg;/9045/5/modelandeurofighter.jpg', 'status_changed_second' => '18', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Totemic Objects', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Exhibition', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/00/90/45', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '23', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => 10, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '12', 'commentary' => undef, 'lastmod_day' => '29', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2010', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Axis Arts Centre, Manchester Metropolitan University, Crewe', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '39', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '9', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '18', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 11, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '9045', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2011', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => '15th November - 26th November 2010', 'fulltimestamp' => '20101110', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '8', 'number' => undef, 'rev_number' => '23', 'edit_lock_user' => '3483', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '8', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '7', 'datestamp_day' => '7', 'abstract' => 'In On Literature (2006) Umberto Eco discusses ‘totemic objects’ and symbols, and how archetypal imagery can ‘tell us what we have to believe in’. Stansbie’s filmic narratives contain descriptions of significant emblems and environments, and when such fictional objects are created in material form they can become an elaborate frame with which to view the original film. Totemic objects uses Stansbie’s Spitfire Beach (2010) film to create objects stemming from its narrative, and the films presence within the exhibition sets up a potential dialogue between the screen and space. ', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '8', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2010', 'status_changed_hour' => '9', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '15996' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1379521919', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '15996', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '11', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => 'Grand Salon, HMS Queen Mary', 'date_type' => 'completed', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'yes', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '/15996/2.hassmallThumbnailVersion/lisa%2D123.jpg;/15996/2/lisa%2D123.jpg|/15996/23.hassmallThumbnailVersion/lisa%2D137.jpg;/15996/23/lisa%2D137.jpg|/15996/57.hassmallThumbnailVersion/lisa%2D132_copy.jpg;/15996/57/lisa%2D132_copy.jpg|/15996/11.hassmallThumbnailVersion/Lisa_Stansbie%2C_Acclimatisation%2C_2012%2C_film__excerpt.mov;/15996/11/Lisa_Stansbie%2C_Acclimatisation%2C_2012%2C_film__excerpt.mov|/style/images/fileicons/application_pdf.png;/15996/17/Lisa_Stansbie%2C_Extreme_Exposures%2D_The_Practice_and_Narratives_of_Channel_Swimming_as_a_Methodology_for_the_Creation_of_Contemporary_Art%2C_2013.pdf|/15996/18.hassmallThumbnailVersion/Lisa_LA_Sept2012_06.JPG;/15996/18/Lisa_LA_Sept2012_06.JPG|/15996/19.hassmallThumbnailVersion/Lisa_LA_Sept2012_08.JPG;/15996/19/Lisa_LA_Sept2012_08.JPG|/15996/20.hassmallThumbnailVersion/Lisa_LA_Sept2012_09.JPG;/15996/20/Lisa_LA_Sept2012_09.JPG|/15996/21.hassmallThumbnailVersion/Lisa_LA_Sept2012_10.JPG;/15996/21/Lisa_LA_Sept2012_10.JPG|/15996/22.hassmallThumbnailVersion/Lisa_Stansbie%2C_King_of_The_Channel%2C_2012%2C_yellow_neon_glass_sculpture.jpg;/15996/22/Lisa_Stansbie%2C_King_of_The_Channel%2C_2012%2C_yellow_neon_glass_sculpture.jpg|/15996/56.hassmallThumbnailVersion/greasingup_copy_660.jpg;/15996/56/greasingup_copy_660.jpg', 'status_changed_second' => '7', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Channel Swimwear Rules', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Photography and sound', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/59/96', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => undef, 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'public', 'lastmod_minute' => '37', 'refereed' => undef, 'contact_email' => 'l.stansbie@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => 18, 'gscholar_impact' => undef, 'official_url' => undef, 'succeeds' => undef, 'datestamp_month' => '11', 'commentary' => undef, 'lastmod_day' => '18', 'publisher' => undef, 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => 'Long Beach, California, U.S', 'type' => 'exhibition', 'publication' => undef, 'lastmod_second' => '57', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '16', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '7', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 9, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '15996', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2013', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => '19th - 22nd September 2012', 'fulltimestamp' => '20120918', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '16', 'number' => undef, 'rev_number' => '67', 'edit_lock_user' => '11133', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '2', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'TR', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '16', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '22', 'datestamp_day' => '22', 'abstract' => 'Channel Swimwear Rules. A display of two large-scale photographs and five sound works developed around the rituals and rules of channel swimming and its training.', 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '2076', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '16', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => 'Review Stelfox, Hilarie. 'Huddersfield University's Lisa Stansbie on the art of open water swimming' in The Huddersfield Examiner (20 June 2012): http://www.examiner.co.uk/leisure-and-entertainment/health-and-family-news/2012/06/20/huddersfield-university-s-lisa-stansbie-on-the-art-of-open-water-swimming-86081-31219359/ ', 'date_year' => '2012', 'status_changed_hour' => '16', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '14763' => { 'funders' => 'O:4W', 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1347274106', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Stansbie', 'eprintid' => '14763', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Lisa', 'creators_id' => 'l.stansbie@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '9', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => undef, 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'yes', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '47', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Diaphone', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => 'Film', 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/47/63', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'inpress', 'item_issues_count' => '1', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '56', 'refereed' => undef, 'contact_email' => undef, 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://www.4wfilm.org/2012/08/lisa-stansbie-diaphone/', 'succeeds' => undef, 'datestamp_month' => '9', 'commentary' => undef, 'lastmod_day' => '10', 'publisher' => 'The Outcasting: Fourth Wall Festival', 'pagerange' => undef, 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'video', 'publication' => undef, 'lastmod_second' => '47', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => undef, 'datestamp_hour' => '19', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Stansbie', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '47', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 10, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '14763', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '9', 'event_dates' => undef, 'fulltimestamp' => '20121000', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '19', 'number' => undef, 'rev_number' => '7', 'edit_lock_user' => '11133', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'art', 'institution' => undef, 'subjects' => 'N1', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '56', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '10', 'datestamp_day' => '10', 'abstract' => 'Lisa Stansbie’s project for the festival consists of creating a sound and film work that will respond to the location, architecture and history of Flat Holm, an island located five miles from Cardiff Bay in the Bristol channel and the most Southerly point in Wales. The site responsive research focuses on the presence and absence of sound and sound ‘machines’ on Flat Holm Island. The resulting artwork responds to the location, architecture and its histories in relation to the connection between sound and water. The sea conditions around Flat Holm were particularly dangerous for ships (there are many documented accounts of shipwrecks) prior to the foghorn station and the earlier lighthouse being built. The project documents and develops ideas from the now inert Foghorn Station (dating from 1908), which, when it was active, would sound warning blasts that could be heard from the Welsh coast. 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'creators_name_given' => 'Lisa', 'exhibitors_name_lineage' => undef, 'divisions' => 'ADA_ICP', 'institution' => undef, 'subjects' => 'PN', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '4', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '11', 'datestamp_day' => '11', 'abstract' => undef, 'creators_id' => 'l.stansbie@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '3494', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '4', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '12', 'gscholar_cluster' => undef, 'producers_name_family' => undef } };

2014

Stansbie, L (2014) /seconds Exhibition (Swimming Machines) [Show/Exhibition]

Stansbie, L (2014) Nothing Great Is Easy [Show/Exhibition]

Stansbie, L (2014) ‘The Performance of the Channel Swimmer: Time-Based Rituals and Technology (Extended)’. In: Body Tensions: Beyond Corporeality in Time and Space . Oxford, U.K: Inter-Disciplinary Press. . ISBN 978-1-84888-286-7

Stansbie, L (2014) ‘Exploring Bodies in Time and Space: The Performance of the Channel Swimmer: Time-Based Rituals and Technology’. In: Exploring Bodies in Time and Space. Oxford, UK: Interdisciplinary Press. pp. 263-272. ISBN 978-1-84888-246-1

Stansbie, L (2014) The Beach [Audio]

2013

Stansbie, L (2013) ‘Extreme Exposures: The Practice and Narratives of Channel Swimming as a Methodology for the Creation of Contemporary Art’. In: Fields of Vision: The Arts in Sport. : LSA Publications. . ISBN 978 1 905369 43 0

Stansbie, L (2013) ‘The Performance of the Channel Swimmer: Time-based Rituals and Technology’. In: Time, Space and The Body Global Conference, 10th - 13th February 2013, Mercure Hotel, Sydney, Australia

Stansbie, L. and Borlescu, A. (2013) Reflections on Narrative: Interdisciplinary Storytelling . Oxford: Interdisciplinary Press. ISBN 978-1-84888-245-4

2012

Stansbie, L (2012) ‘Extreme Exposures: The practice and narratives of channel swimming as a methodology for the creation of contemporary art’. In: Fields of Vision: The Arts in Sport, 29th November 2012, Headingley Carnegie Stadium, Leeds

Stansbie, L (2012) ‘The Absent Presence of Voice in Contemporary Artists Film’. In: 2nd Global Conference on Storytelling: Reflections on Narrative, November 7th - 9th 2012, The StieglBräu, Salzburg, Austria

Stansbie, L (2012) Diaphone [Video]

Stansbie, L (2012) Channel Swimwear Rules [Show/Exhibition]

Stansbie, L (2012) ‘Testing the Limits: Contemporary Art and Channel Swimming’. In: Endurance Sport, 11 September 2012, Wolfson Research Exchange, The University of Warwick

Stansbie, L (2012) ‘Contemporary Art and The Open Water’. In: 2012 Global Open Water Swimming Conference, 21-23 September, HMS Queen Mary, Los Angeles, California.

Stansbie, L (2012) Sandettie Lightship and Shipping Lane [Image]

Stansbie, L (2012) ‘Sandettie Lightship and Shipping LaneCorridor 8: The Fast Slow Edition (3). ISSN 9780955267260

Stansbie, L (2012) ‘Establishing the Cybertextual in Practice based PhDs’. In: SAGE Handbook of Digital Dissertations and Theses. London: SAGE. pp. 390-404 . ISBN 9780857027399

Stansbie, L (2012) ‘Structures For Digital Collaboration and Interaction’. In: Higher Education Academy Exploring Collaborative Learning In Media Studies Programmes, May 3rd 2012, University of Winchester

Stansbie, L (2012) Flight (ROTOR) [Show/Exhibition]

2011

Stansbie, L (2011) ‘Appropriation and the Hack: New Forms of Production’. In: Transitory Network Forum, 21st-22nd July 2011, Salon Museum of Contemporary Art, Belgrade, Serbia

Stansbie, L (2011) A Century of Artists Film [Show/Exhibition]

Stansbie, L (2011) Portmanteau [Show/Exhibition]

Stansbie, L (2011) Hunter Gatherer [Show/Exhibition]

Stansbie, L (2011) A History of Background [Audio]

2010

Stansbie, L (2010) Totemic Objects [Show/Exhibition]

Stansbie, L (2010) Borders/Crossings/Journeys [Show/Exhibition]

Stansbie, L (2010) /seconds issue 12: ARCHETYPE: GOING UNDERGROUND / THE CRUEL SCENE OF THE IMAGE [Show/Exhibition]

Stansbie, L (2010) Art for Everyone Exhibition curated by Axis [Show/Exhibition]

Stansbie, L (2010) Short Cuts (Spitfire Beach) [Show/Exhibition]

Stansbie, L (2010) ‘Wings of apprehensionRadar , 1 (1), pp. 26-27. ISSN 2049-4327

2009

Stansbie, L (2009) The Emperor of The Moon (2006) [Show/Exhibition]

Stansbie, L (2009) The Wings [Show/Exhibition]

Stansbie, L (2009) Pan-demonium [Show/Exhibition]

Stansbie, L (2009) ‘Apprehension/seconds (11). ISSN 1751-4134

Stansbie, L (2009) ‘A film still from the film 'The Messenger' (2008)’. In: Pan-demonium. New York: AC Institute in conjunction with the exhibition. . ISBN 978-0-9841309-0-0

Stansbie, L (2009) ‘The Fluid Archive’. In: Thinking About 'Things': Interdisciplinary Futures in Material Culture, 5-7 May 2009, UCD, Dublin

Stansbie, L (2009) ‘Connecting the Unconnected’. In: Telling Stories: Countering Narrative in Art, Theory and Film. Newcastle upon Tyne: Cambridge Scholars Publishing. pp. 125-134. ISBN 978-1-4438-0532-2

Stansbie, L (2009) Hackamore [Show/Exhibition]

2008

Stansbie, L (2008) The cloud collector [Show/Exhibition]

Stansbie, L (2008) Emperor of the moon [Show/Exhibition]

Stansbie, L (2008) ‘The cloud collector/seconds (Issue 8: 4/2008). ISSN 1751-4134

2007

Stansbie, L (2007) The cloud collector . .

Stansbie, L (2007) The Zeppelin Bend [Show/Exhibition]

Stansbie, L (2007) The cloud collector [Show/Exhibition]

Stansbie, L (2007) ‘Connecting the unconnected’. In: Objects and Narratives Symposium, 2007, 21st September 2007, Loughborough University

Stansbie, L (2007) ‘Landscapes and communities - ‘multiplicity and mobilised place’’. In: AVPhD 6 ‘North’: Regional Workshop, 14th-15th September 2007, Geoffrey Manton Building, Manchester Metropolitan University

Stansbie, L (2007) Archive H [Show/Exhibition]

Stansbie, L (2007) ‘The Emperor of the moon/seconds (Issue 06: 07/2007). ISSN 1751-4134

Tsegmid, T., MacDonald, J., Smith, M., Morgan, J., Andersson, A., Stansbie, L. and Heald, K.(2007) Odoo/Current [Show/Exhibition]

Stansbie, L (2007) The Emperor of the moon [Show/Exhibition]

Stansbie, L (2007) Apprehension [Show/Exhibition]

Esteem

2014 – current. Member of The British Philosophy of Sport Assoiciation
2009 - current. Member of The National Association of Fine Art Education (NAFAE).
2012 - current. Member of The Association of Art Historians.
2012 - current. Member of CHEAD (Council for Higher Education in Art and Design)
2011 – current Fellow of The Higher Education Academy.
2010 - 2012. Member of The CHEAD Gallery Network Steering Group.

Board Membership
2013 – present. Member of Board of Directors of Axis. Leading Online Resource for Contemporary art.
2013 – present. Member of The Board of Directors of HOOT Creative Arts, Huddersfield.
2013 – present. Member of The Board of Trustees of Beam: Arts, People, Places. Wakefield.

2009 – 2012. Joint editor and co-founder of the experimental online publication soanyway. www.soanyway.org.uk
Joint Editor for a total of 16 editions of the publication between 2009 and 2012.
Soanyway is an international creative project centred on words, pictures and sound that tell stories. To date it has shown the work of around 160 artists including pieces from Turner Prize nominees and work that spans 20 countries.

Advisory and Consultancy Work
2014 External Reviewer PhD by Publication applications, University of Chester
2014 Internal panel member for the validation of the MSc Turbocharger Engineering. The School of Computing and Engineering, The University of Huddersfield.
2013 External Panel Expert for Bradford College Validation CAVA Access to Higher Education Award in Art and Design.
2013 External Panel member (Art Department) for the subject review and validation of The Postgraduate Network in Art and Design at Manchester Metropolitan University (26 named Master routes).
2013 Internal panel member (Art and Design) for The Validation of The International Foundation Year. Study Group, The University of Huddersfield.
2012 External expert for the subject review for Art at The University of Staffordshire.
2010 External consultant for Craven College B.A Fine Art course.
2009 External panel member for The University of Cumbria validation B.A (Hons) Visual Arts.
2007 External panel member for Oldham College Foundation degree in Fine Art validation.

External Examiner Appointments
2014 BA (Hons) Art and Design, Birmingham City University.
2013 – Present CAVA Access to H.E Award, Bradford College.

Research Degree Supervision

2013 – current. Main Supervisor. MRes: Richard Edmunds. Embodiment in Data Sculpture.
2012 – current. Co-supervisor. MRes: Alice Bradshaw. AHRC funded. Museum of Rubbish: Artists Use of Waste Materials.

Areas of supervision: Peformance (art) methodologies and documentation, The Archive, narrative in artists film, sound, sculpture, analogue and digital processes in contemporary art, interdisciplinary practices, the sports and art.

Teaching and Professional Activities

My teaching consists of working within a range of undergraduate and postgraduate research programmes including the B.A Graphic Design and B.A Contemporary Art and Illustration. My teaching reflects my cross-discipline research interests and feeds into both studio practical sessions (specifically in areas of sculpture and film) and theoretical lectures and seminars. Currently I lead the Year 1 B.A Contemporary Art and Illustration Module, Contemporary Practice in Context planning and delivering theoretical cultural studies and philosophical themed lectures to students.

Last updated Thursday 6 March 2014
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