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Portrait of Dr Heather Norris Nicholson Dr Heather Norris Nicholson

h.nicholson@hud.ac.uk | 01484 478466



Biography

Heather is a Senior Research Fellow in the Centre for Visual and Oral History Research. She joined the university in 2012. She studied for her BA and PhD at the University of Exeter and her PCGE at Lancaster. She has taught at Bretton Hall, York St John University, University of Leeds and Manchester Metropolitan University where she was a Research Fellow with the Manchester Centre for Regional History and the North West Film Archives. She has been Visiting Fellow at the University of Calgary and has held honorary positions with Birkbeck College and The School of Oriental and African Studies, University of London. She will be a Visiting Scholar at the Courtauld Institute 2013-14.

Research & Scholarship

Heather's research is concerned with archive film and changing amateur visual practice.  She is particularly interested in the rise of amateur cine photography from its first pioneers, through its years of peak popularity to its contemporary meaning and significance. She is also interested in the relationship between visual memories, identities and community-history making.

Her book, Amateur Film: Meaning and Practices, 1927-1977 (Manchester University Press, 2012) drew upon non-fiction film collections at the North West Film Archive, oral testimonies and the specialist hobby literature published from the 1920s onwards. It discusses formal and informal aspects of amateur practice, and uncovers many forgotten films and neglected filmmakers.

Heather has written many chapters and articles that explore aspects of amateur practice in relation to holidays, leisure, memories, identity, family relations, social issues, digital access and how landscape meanings change over time.

Current research focuses on how women made and showed cine films and uses oral testimonies, film and printed materials to reclaim a strand of neglected amateur visual practice.  Other current writing  explores links between amateur film and  regional identity, media archaeology and the early teaching of history.

Heather was involved with the EU funded Marie Curie project digital memories (2010) and past outreach projects include Moving Memories: Tales from Moss Side and Hulme and Reel Times, Turnpike Gallery, Leigh (2010). She contributed to the first Manchester Histories Festival, and the BBC series, Reel Histories of Britain (2011). Currently she is  involved with the Holmfirth Film Festival  and developing various community projects about amateur filmmakers.

She has also explored links between indigenous culture in tourism and in film, with particular reference to Canada’s aboriginal filmmakers. Screening Culture: Constructing Image and Identity (2003) linked indigenous and non-indigenous perspectives on film in a survey of cultural representation in moving image. This work sprang in part from studying indigenous cultural tourism initiatives in Western Canada where early archive footage often contributed to museum exhibits. Finding ways to reconnect and relocate archived visual histories with wider audiences remains a strong strand through other projects that Heather would like to take forward collaboratively.

Publications and Other Research Outputs

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equipment provided affluent British holidaymakers with an innovative travel accessory in the mid 1920s. Travel narratives produced by early camera-touting enthusiasts may be likened to preceding forms of travel experience depicted in art and written form, but important differences occur too. This discussion explores issues of place representation, ethnography and perceptions of regional identities, cultures, and histories through reference to amateur holiday footage filmed in the Balkans in 1934. Analysis of rural and urban scenes, traditions, and itinerary, as well as the cinematic processes found within this filmic travelogue, are related to earlier outsiders’ responses and contemporary travel texts including guides, diaries and other genres of travel literature. Contemporary debates on post-conflict identity in the Balkan region and tourism history within the Mediterranean, as well as socio-cultural and aesthetic aspects of non-professional film-making form a wider context for this focus upon Balkan imagery. 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'editors_name_family' => undef, 'lastmod_month' => '3', 'event_dates' => undef, 'fulltimestamp' => '19820400', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '10', 'number' => '4', 'rev_number' => '8', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Heather', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'DAW', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '37', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '26', 'datestamp_day' => '26', 'abstract' => 'This article by Heather Norris and Roger Kain illustrates some of the ways in which increasingly elaborate methods of town fortification affected the nature of urban development in European towns, and how the eventual removal of anachronistic defences provided opportunities for large scale urban redevelopment, extension and embellishment. Today, attitudes have come full circle. Many of the fortification remnants that escaped demolition in the nineteenth and earlier twentieth centuries are now much cherished as touchstones of the past. Among the many factors which have influenced the evolution of post-medieval urban form in Britain, defensive considerations have exerted a relatively slight effect compared with their impact on the continent of Europe. The well-preserved Tudor defences of the frontier town of Berwick-upon-Tweed, the hastily built Civil 'War outworks at Newark-on-Trent and defensive installations at naval bases such as Portsmouth are exceptional in a British context. By the sixteenth century in England, most medieval town walls were falling into ruin or had already been demolished and built over. On the other hand, in parts of continental Europe where military strategy was still founded on systems of fortified towns, defensive considerations remained continuing influences on urban form through to the nineteenth century.', 'creators_id' => 'h.nicholson@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '37', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '32', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '1982', 'status_changed_hour' => '10', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '12874' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1330508766', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Norris Nicholson', 'eprintid' => '12874', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Heather ', 'creators_id' => 'h.nicholson@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '2', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/12874/1/11%2D31%2D1%2DSM.pdf', 'status_changed_second' => '0', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Journeys into Seeing: Amateur Film-making and Tourist Encounters in Soviet Russia, 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'fulltimestamp' => '20090100', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '9', 'number' => undef, 'rev_number' => '9', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Heather ', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'DK', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '38', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '28', 'datestamp_day' => '28', 'abstract' => 'This article examines in detail amateur ?lm imagery of Soviet-era Russia held in the North West Film Archive at Manchester Metropolitan University. It discusses footage made and shown during the early 1930s by an early regional cine enthusiast, and places the material within the context of contemporary developments of amateur ?lm aesthetics, of meta-narratives of international relations, and most signi?cantly of local in?ections in the Manchester area of cultural exchange between the United Kingdom and the USSR. The article explores issues of East-West relations, identities and visual memory-making within broader considerations of amateur ?lm practice, travel narration and tourism history.', 'creators_id' => 'h.nicholson@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '38', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '10', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2009', 'status_changed_hour' => '14', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '12944' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1330689518', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Norris Nicholson', 'eprintid' => '12944', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Heather ', 'creators_id' => 'h.nicholson@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '3', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '10', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'In amateur hands: framing time and space in home-movies', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/29/44', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '0', 'refereed' => 'TRUE', 'contact_email' => 'h.nicholson@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://dx.doi.org/10.1093/hwj/1997.43.198', 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '2', 'publisher' => 'Oxford University Press', 'pagerange' => '198-213', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'article', 'publication' => 'History Workshop Journal', 'lastmod_second' => '17', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => '1363-3554', 'datestamp_hour' => '11', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Norris Nicholson', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '10', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 3, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '12944', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '3', 'event_dates' => undef, 'fulltimestamp' => '19970300', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '12', 'number' => '43', 'rev_number' => '9', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Heather ', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'GV', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '58', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '2', 'datestamp_day' => '2', 'abstract' => 'Amateur movies are a window upon past geographies and memories. The following discussion identifies some practical and intellectual issues associated with using archival film in the study of historical and geographical change. Mapping the unofficial sources of historical knowledge produces ever-changing versions of events, people and places through time and space. Early amateur film is one way of tapping into people's memories about themselves and how they relate to others in contrasting contexts. These images allow for the kind of knowledge which. as Raphael Samuel suggests, creeps in sideways as a by-product of studying something else. Historians. geographers and others often revel in the kaleidoscopic gaze given by each twist of view as different stances, sources and situations provoke alternative interpretations. The camera lens of the early amateur film-maker framed subject-matter now laden with issues of racism, sexism and colonialism. This article considers how amateur film may relate to and inform contemporary interests in spatial and social relations, as well as changing notions of place and identity. As with most sources of evidence, however, amateur film poses both practical and intellectual challenges. Both the quantity and the quality of amateur footage raise important questions for archivists of moving imagery as they address problems of storage. conservation and access. Given the diversity found within early amateur films and some of their resemblances to modern home video-making, the growing interest in amateur footage cannot be isolated from more practical concerns. Accordingly, this article recognises three clusters of inter-related issues: availability, interpretation and future application.', 'creators_id' => 'h.nicholson@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '58', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => 'doi:10.1093/hwj/1997.43.198', 'volume' => undef, 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '1997', 'status_changed_hour' => '11', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '12865' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1349880873', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Norris Nicholson', 'eprintid' => '12865', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Heather ', 'creators_id' => 'h.nicholson@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '2', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '1', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Amateur Film: Meaning and Practice, c. 1927 - 77 ', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 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'creators_name_given' => 'Heather ', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'DA', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '26', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '29', 'datestamp_day' => '29', 'abstract' => 'This discussion considers the role of moving image in constructing aspects of regional identity, with particular reference to footage produced by two very different filmmakers who filmed in Ordsall, Salford during the 1960s. Their respective footage covers a period of profound social and physical change associated with housing clearance and urban renewal schemes. This article, which is based upon archival film footage in the North West Film Archive at Manchester Metropolitan University, seeks to convey the richness and multi-facetted nature of this footage and to highlight its value in the historical exploration of identity formation. The piece begins with a brief consideration of archival film as a source of historical evidence and associated issues of interpretation. This is followed by an introduction to the locality that features in the two filmmakers’ work and brief reference to how it has been represented in the past. Attention then turns to each of the filmmakers: first, John Michael Goodger, former lecturer at the University of Salford, who made a trilogy of films to chart the changing character of Ordsall in the late 1960s; second, Ralph Brookes, an amateur home movie maker who also documented the transformation of the terraced streets around where he lived. These contrasting versions of Ordsall highlight some of the challenges offered by using film in a study of regional identities. They also illustrate the enormous potential of such material in helping to elucidate the shifting and multiple nature of place meanings.', 'creators_id' => 'h.nicholson@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '26', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => undef, 'volume' => '15', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2001', 'status_changed_hour' => '16', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '12893' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 'lyricists_name_lineage' => undef, 'lyricists_id' => undef, 'edit_lock_since' => '1332929842', 'creatorlist' => { '0' => { 'creators_name_lineage' => '', 'creators_name_family' => 'Norris Nicholson', 'eprintid' => '12893', 'creators_name_honourific' => '', 'pos' => '0', 'creators_name_given' => 'Heather ', 'creators_id' => 'h.nicholson@hud.ac.uk' } }, 'exhibitors_id' => undef, 'latitude' => undef, 'replacedby' => undef, 'status_changed_month' => '2', 'editors_name_honourific' => undef, 'admin_note' => undef, 'event_title' => undef, 'date_type' => 'published', 'pres_type' => undef, 'longitude' => undef, 'creators_name_honourific' => '', 'include_in_hebci' => 'no', 'producers_name_honourific' => undef, 'scopus_citation_count' => undef, 'datestamp_year' => '2012', 'fileinfo' => '/style/images/fileicons/application_pdf.png;/12893/1/Microsoft_Word_%2D_Shooting_in_Paradise_March_2006.pdf|/style/images/fileicons/application_pdf.png;/12893/2/Microsoft_Word_%2D_Shooting_in_Paradise_References.pdf', 'status_changed_second' => '37', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Shooting in Paradise: Conflict, 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=> undef, 'fulltimestamp' => '20060800', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '10', 'number' => '3', 'rev_number' => '11', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Heather ', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'DP', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '25', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '29', 'datestamp_day' => '29', 'abstract' => 'Following the launch of Kodak's lightweight cine camera in c. 1923, early amateur cine enthusiasts soon featured among the growing numbers of people able to afford overseas visits. As the Mediterranean rapidly regained its pre-war popularity as a travel destination, evidence of its more militarised character and strategic significance recur in the glimpses of veterans and uniformed service personnel, vessels, medals and border securities found in interwar amateur film footage. Deliberate filming of discord is much rarer and gives particular value to the focus here upon the work of an amateur filmmaker who visited Spain during the Civil War on behalf of the Society of Friends (Britain's Quaker movement). The article discusses scenes of relief work, people queuing at feeding centres and refugee movements, and places the footage within a wider consideration of filmic responses to the Civil War and international relief operations. The relevance of such amateur imagery for its contemporary home audience is also explored, in relation to prevailing perceptions of the Mediterranean and, more widely, within a context of socially engaged filmmaking that links to strong British documentary making traditions during the interwar years. Discussion forms part of a broader study of Mediterranean imagery shot by British home movie makers during the 1920s and 1930s and recently studied at the North West Film Archive, Manchester Metropolitan University and at the British Film Institute, London.', 'creators_id' => 'h.nicholson@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '25', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => '10.1080/07256860600779329', 'volume' => '27', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2006', 'status_changed_hour' => '11', 'gscholar_cluster' => undef, 'producers_name_family' => undef }, '12877' => { 'funders' => undef, 'conductors_name_family' => undef, 'num_pieces' => undef, 'department' => undef, 'contributors_id' => undef, 'gscholar_datestamp_second' => undef, 'keywords' => undef, 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=> undef, 'datestamp_year' => '2012', 'fileinfo' => '', 'status_changed_second' => '8', 'exhibitors_name_honourific' => undef, 'editors_id' => undef, 'title' => 'Seeing how it was?: childhood geographies and memories in home movies', 'corp_creators' => undef, 'contributors_name_given' => undef, 'alt_title' => undef, 'contributors_name_family' => undef, 'sponsors' => undef, 'output_media' => undef, 'editors_name_lineage' => undef, 'dir' => 'disk0/00/01/29/10', 'overlay_journal_id' => undef, 'gscholar_datestamp_year' => undef, 'ispublished' => 'pub', 'item_issues_count' => '0', 'conductors_name_given' => undef, 'sword_depositor' => undef, 'full_text_status' => 'none', 'lastmod_minute' => '8', 'refereed' => 'TRUE', 'contact_email' => 'h.nicholson@hud.ac.uk', 'copyright_holders' => undef, 'date_day' => undef, 'gscholar_impact' => undef, 'official_url' => 'http://dx.doi.org/10.1111/1475-4762.00016', 'succeeds' => undef, 'datestamp_month' => '3', 'commentary' => undef, 'lastmod_day' => '1', 'publisher' => 'Wiley', 'pagerange' => '128-140', 'include_in_pedagogical' => 'no', 'task_purpose' => undef, 'status_changed_year' => '2012', 'book_title' => undef, 'thesis_name' => undef, 'event_location' => undef, 'type' => 'article', 'publication' => 'Area', 'lastmod_second' => '9', 'place_of_pub' => undef, 'contributors_name_honourific' => undef, 'gscholar_datestamp_day' => undef, 'issn' => '0004-0894', 'datestamp_hour' => '10', 'exhibitors_name_given' => undef, 'creators_name_family' => 'Norris Nicholson', 'composition_type' => undef, 'producers_id' => undef, 'datestamp_second' => '9', 'note' => undef, 'edit_lock_until' => '0', 'editor_note' => undef, 'pedagogic_type' => undef, 'date_month' => 6, 'rights' => undef, 'contributors_type' => undef, 'scopus_id' => undef, 'eprintid' => '12910', 'producers_name_given' => undef, 'thesis_type' => undef, 'projects' => undef, 'lastmod_year' => '2012', 'data_type' => undef, 'gscholar_datestamp_minute' => undef, 'editors_name_given' => undef, 'isbn' => undef, 'include_in_cv' => 'yes', 'editors_name_family' => undef, 'lastmod_month' => '3', 'event_dates' => undef, 'fulltimestamp' => '20010600', 'learning_level' => undef, 'conductors_name_lineage' => undef, 'pages' => undef, 'source' => undef, 'lastmod_hour' => '10', 'number' => '2', 'rev_number' => '9', 'edit_lock_user' => '116', 'series' => undef, 'creators_name_lineage' => '', 'pos' => '0', 'metadata_visibility' => 'show', 'eprint_status' => 'archive', 'creators_name_given' => 'Heather ', 'exhibitors_name_lineage' => undef, 'divisions' => 'mh', 'institution' => undef, 'subjects' => 'GV', 'gscholar_datestamp_hour' => undef, 'producers_name_lineage' => undef, 'lyricists_name_given' => undef, 'completion_time' => undef, 'status_changed_minute' => '8', 'conductors_name_honourific' => undef, 'exhibitors_name_family' => undef, 'lyricists_name_honourific' => undef, 'event_type' => undef, 'importid' => undef, 'status_changed_day' => '1', 'datestamp_day' => '1', 'abstract' => 'Home movies provided valuable insights into childhood experiences during much of the twentieth century. Contrasting footage of children in rural and urban setting in Northern England between c.1937 and 1970, viewed through the cinematic gaze of two male amateur film-makers underpins this discussion of childhood geographies in the past. Issues explored in the paper include the social construction of childhood, power relations and visual representation of children, and the role of home movie-making in shaping memories and constituting ideas and ideologies about family and children.', 'creators_id' => 'h.nicholson@hud.ac.uk', 'contributors_name_lineage' => undef, 'userid' => '116', 'patent_applicant' => undef, 'monograph_type' => undef, 'datestamp_minute' => '8', 'lyricists_name_family' => undef, 'sword_slug' => undef, 'id_number' => 'doi:10.1111/1475-4762.00016', 'volume' => '33', 'gscholar_datestamp_month' => undef, 'conductors_id' => undef, 'suggestions' => undef, 'referencetext' => undef, 'date_year' => '2001', 'status_changed_hour' => '10', 'gscholar_cluster' => undef, 'producers_name_family' => undef } };

2014

Norris Nicholson, H (2014) ‘Cinemas of Catastrophe and Continuity: Mapping Out Twentieth-Century Amateur Practices of Intentional History-Making in Northern England’. In: Amateur Filmmaking The Home Movie, the Archive, the Web. : Bloomsbury. pp. 67-80. ISBN 9781441139054

2013

Norris Nicholson, H (2013) ‘Legends, Romance, and the Intelligent Knowledge of History: Storytelling on Film and Imagining the Past ’. In: Bringing History to Life through Film The Art of Cinematic Storytelling . : Rowman & Littlefield Publishers. pp. 89-109. ISBN 978-1-4422-2963-1

2012

Norris Nicholson, H (2012) ‘Looking Beyond the Moving Moments: Adaptation, Digitization and Amateur Film Footage as Visual Histories’. In: The Adaptation of History: Essays on Ways of Telling the Past. : McFarland. pp. 196-206. ISBN 9780786472543

Norris Nicholson, H (2012) Amateur Film: Meaning and Practice, c. 1927 - 77 . Studies in Popular Culture. Manchester: Manchester University Press. ISBN 978-0-7190-7773-9

Norris Nicholson, H (2012) ‘Manchester’s Moving Memories: Tales from Moss Side and Hulme: archive film and community history-making’. In: Tourists and Nomads. Amateur Images of Migration . : Jonas-Verlag. . ISBN 9783894454647

2010

Nicholson, H (2010) ‘'Old World Traditions…and Modernity' in Cunard's Transatlantic Films, c.1920-35: Making Connections between Early Promotional Films and Urban Change’. In: The City and the Moving Image . : Palgrave Macmillan. pp. 21-35. ISBN 9780230243385

2009

Norris Nicholson, H (2009) ‘Framing the view: holiday recording and Britain’s amateur film movement c.1925-1950’. In: Movies on Home Ground: Explorations in Amateur Cinema. : Cambridge Scholars Publishing. pp. 93-127. ISBN 9781443813440

Norris Nicholson, H (2009) ‘Moving pictures, moving memories: framing the interpretative gaze’. In: Private Eyes and the Public Gaze - The Manipulation and Valorisation of Amateur Images. : Kliomedia. . ISBN 9783898901369

Norris Nicholson, H (2009) ‘Through the Balkan States: Home movies as travel texts and tourism histories in the Mediterranean, c.1923-39Panoptikum , 8 (15).

Norris Nicholson, H (2009) ‘Floating Hotels: Cruise Holidays and Amateur Film-making in the Inter-War Period’. In: Moving Pictures/Stopping Places: Hotels & Motels on Film . : Lexington Books. pp. 49-71. ISBN 9780739128558

Norris Nicholson, H (2009) ‘Journeys into Seeing: Amateur Film-making and Tourist Encounters in Soviet Russia, c. 1932New Readings , 10, pp. 57-71. ISSN 1359-7485

2008

Norris Nicholson, H (2008) ‘”Old world traditions… and modernity” in Cunard’s transatlantic films, c.1920 – 35: making connections between early promotional films and urban change’. In: Cities In Film: Architecture, Urban Space And The Moving Image Conference Proceedings. : University of Liverpool. pp. 163-169. ISBN 9780955788413

2007

Norris Nicholson, H (2007) ‘“As If by Magic”: Authority, Aesthetics, and Visions of the Workplace in Home Movies, circa 1931–1949’. In: Mining the Home Movie Excavations in Histories and Memories. : University of California Press. pp. 214-230. ISBN 9780520248076

2006

Norris Nicholson, H (2006) ‘Shooting in Paradise: Conflict, Compassion and Amateur Filmmaking During the Spanish Civil WarJournal of Intercultural Studies , 27 (3), pp. 313-330. ISSN 0725-6868

Norris Nicholson, H (2006) ‘Sites of Meaning: picturing Mediterranean and other landscapes in British home movies, c. 1928-1965’. In: Landscape and Film. : Routledge. pp. 167-188. ISBN 9780415975551

Norris Nicholson, H (2006) ‘Through the Balkan States: Home movies as travel texts and tourism histories in the Mediterranean, c.1923-39Tourist Studies , 6 (1), pp. 13-36. ISSN 1468-7976

2004

Norris Nicholson, H (2004) ‘At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962GeoJournal , 59 (4), pp. 323-333. ISSN 0343-2521

2003

Norris Nicholson, H (2003) ‘British Holiday Films of the Mediterranean: At Home and Abroad with Home Movies, ca. 1925-1936Film History , 15 (2), pp. 102-116. ISSN 0892-2160

2002

Norris Nicholson, H (2002) ‘Picturing the Past: Archival Film and Historical Landscape ChangeLandscapes , 3 (1), pp. 81-100. ISSN 1466-2035

Norris Nicholson, H (2002) ‘Telling travellers’ tales: framing the world in home movies, c.1935 – 1967’. In: Engaging Film: Geographies of Mobility and Identity. : Rowman & Littlefield Publishers. pp. 47-68. ISBN 978-0-7425-0884-2

2001

Norris Nicholson, H (2001) ‘‘At the centre of it all are the children’: Aboriginal Childhoods and the National Film BoardLondon Journal of Canadian Studies , 17, pp. 73-100. ISSN 0267-2200

Norris Nicholson, H (2001) ‘Icons, flagships and identity: aboriginal tourism in western Canada’. In: Aboriginal People and Other Canadians: Shaping New Relationships. : University of Ottawa Press. pp. 187-210. ISBN 9780776605418

Norris Nicholson, H (2001) ‘Regionally Specific, Globally Significant: Who's Responsible for the Regional Record?The Moving Image , 1 (2), pp. 152-163. ISSN 1532-3978

Norris Nicholson, H (2001) ‘Two tales of a city: Salford in regional filmmaking, 1957-1973Manchester Region History Review , 15, pp. 41-53. ISSN 0952-4320

Norris Nicholson, H (2001) ‘Seeing how it was?: childhood geographies and memories in home moviesArea , 33 (2), pp. 128-140. ISSN 0004-0894

2000

Norris Nicholson, H (2000) ‘Defining People Differently: Claiming Space for Aboriginal Diversities in Contemporary CanadaLondon Journal of Canadian Studies , 16, pp. 1-11. ISSN 0267-2200

1999

Norris Nicholson, H (1999) ‘Reconstructing memories: indigenous film-making, place-names and identities in Le Grand Petit EuropeanBritish Journal of Canadian Studies , 14 (1), pp. 21-34. ISSN 0269-9222

1997

Norris Nicholson, H (1997) ‘Moving memories: image and identity in home movies’. In: The Jubilee book: essays on amatuer film. Charleroi: Association européene des inédits. .

Norris Nicholson, H (1997) ‘In amateur hands: framing time and space in home-moviesHistory Workshop Journal (43), pp. 198-213. ISSN 1363-3554

1996

Norris Nicholson, H (1996) ‘Crossing points and meeting places: geography and global perspectives in initial teacher training’. In: Developing the Global Teacher: theory and practice in initial teacher education. : Trentham Books. pp. 73-82. ISBN 9781858560328

Norris Nicholson, H (1996) ‘Collusion, Collision or Challenge?: Indigenous Tourism and Cultural Experience in British Columbia, Canada’. In: Quality Management in Urban Tourism. : Wiley. pp. 115-136. ISBN 9780471970996

Norris Nicholson, H (1996) ‘Some timely secrets: geography re-inventedBritish Studies Now , pp. 10-12.

1994

Norris Nicholson, H (1994) ‘"At Ilkley they sell lovely": regional memory and experience in amateur movies’. In: You Can't See What You Don't Know: Amateur Film as Evidence. : Association Européenne Inédits Colloquium. .

Norris Nicholson, H (1994) ‘“Where the land is blue like an orange”: image, meaning and option in rural tourism in Tunisia’. In: Urban and Rural Change in the Developing World: Proceedings of the International Workshop on Urban Farming and Rural Tourism - Priorities for Action in the 21st Century. : University of York. pp. 53-66. ISBN 9780904761467

Norris Nicholson, H (1994) Place in story-time . : Geographical Association. ISBN 9781899085217

1993

Norris Nicholson, H (1993) Bright ideas: inspirations for geography . Bright Ideas Series; Inspirations Series. : Scholastic. ISBN 9780590530460

1992

Norris Nicholson, H (1992) ‘Cultural centres or trading posts?Museums Journal , 92, pp. 31-34. ISSN 0027-416X

Norris Nicholson, H (1992) ‘Cultural tourism in enterprising timesLondon Journal of Canadian Studies , 8, pp. 57-69. ISSN 0267-2200

1982

Norris, H (1982) ‘Military Influence on European Town PlanningHistory today , 32 (4), pp. 10-15. ISSN 0018-2753

Esteem

Heather edited the British Journal of Canadian Studies (2009- 2012) and was on the editorial board of Landscapes (2001-2011). Currently she is part of the editorial team for Manchester Region History Review  (2006 onwards), Oral History Journal (2012 onwards) and the forthcoming Journal of Amateur Cinema Studies (2013).

Within the British Association of Canadian Studies (1993-2012),  she was Vice President, a councillor and member of various strategic reviews,  and undertook different DFAIT-funded initiatives and visits to Canada.

She has helped to run many conferences and seminars, held numerous small awards and travel scholarships that  include the  British Council, Krasna-Krausz, British Academy Small Grants and Prix de Quebec and she has examined research degrees for the universities of  Kent and Sheffield.

Past media appearance/consultancy includes BBC Nation on Film (2006-07), Reel Histories of Britain (2010-11) various independent production companies, and local press.

She contributed to Moving Memories: Tales from Moss Side and Hulme  (BUFVC Learning on Screen award and THES nominee , 2010); Reel Times, Turnpike Galley, Leigh, Lancs,2010) and various initiatives with the North West Film Archives at Manchester Metropolitan University (2005-2011).

She contributes to anonymous peer reviews and manuscript submissions for different publishers and journals and is on the steering committee for the AHRC Children in Amateur Media in Scotland project, 2010-2014.

Research Degree Supervision

Heather is happy to supervise postgraduate work or form part of a supervisory team, or act as external examiner in areas which connect with any of her research interests.  She welcomes informal  enquiries to discuss ideas at any stage, particularly in the following areas:

Amateur and archival film interpretation

Building links between communities and moving image collections

Personal narratives, visual memories, oral histories and community outreach

Travel footage, tourism histories and place identity

Promotional imagery and twentieth century change

Previously, Heather has co-supervised and been an External Examiner on topics in Canadian Studies and film.

Enterprise Activities

Educational resources for Canadian High Commission and Scholastic.

Teaching and Professional Activities

Not currently contributing to any taught programmes

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