CeReNeM: Centre for Research in New Music

Outputs

Information about individual staff research outputs can be found listed in the University of Huddersfield repository and by clicking on individual Staff profiles.

Cerenem Journal

The journal acts as a forum for discourse surrounding the research projects and activities of the University of Huddersfield’s Centre for Research in New Music.  Articles, interviews and scores are made freely available as downloadable pdfs.

Click to go to the journal

HCR – Huddersfield Contemporary Records

HCR is a CD/DVD and media label which was initiated in 2009 by Liza Lim as a partnership between the University of Huddersfield Press, Huddersfield Contemporary Music Festival (hcmf//) and CeReNeM. Catalogue includes:

Extended Piano, HCR01, 2009

(works by James Saunders, Benjamin Lang, Michael Maierhof, Thomas Wenk, Johannes Kreidler performed by Sebastian Berweck)

Transference, HCR02, 2010

(works by Mary Bellamy, Bryn Harrison, Aaron Cassidy, Liza Lim performed by ELISION Ensemble, conductor Manuel Nawri)

strange forces, HCR03, 2010

(works by Aaron Cassidy, Richard Barrett, Evan Johhnson, Klaus K. Hubler, Liza Lim, Timothy McCormack performed by ELISION)

Nothing but the hours, HCRDVD04, 2011

Double DVD set with three films by Geoffrey Cox and Keith Marley; music by Geoffrey Cox, performance by Philip Thomas

In Search of the Miraculous, HCR05, 2011

(Electroacoustic works by Paulina Sundin, Sten-Olof Hellström, Rose Dodd, Barbara Ellison, Nicolas Bernier, Jamie Fawcus, Dominic Thibault, Mark Bokowiec)

New releases are planned with EXAUDI, edges ensemble, Het Nieuw Ensemble, Ensemble 10/10 and Icarus Ensemble in 2012-13.

Conference Proceedings

Adkins, M. & Isaacs, B. eds. (2011) Proceedings of the International Computer Music Conference. Huddersfield: CeReNeM. See: http://www.icmc2011.org.uk/

Proceedings of the First Roberto Gerhard Conference (2010), Huddersfield.

http://www.robertogerhard.com/1st-conference-2010/

Recent Highlights (staff publications)

Changing the System, (2010) The first major study of the music of Christian Wolff, co-edited by Dr Philip Thomas and Stephen Chase has been published by Ashgate.

The book contains contributions from leading experts in the field of new and experimental music, including two chapters by Dr Philip Thomas on Wolff’s piano music and on performance issues.

 

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